“Wishing on a Star,” interview with director Peter Kerekes

In an engaging interview, Peter Kerekes, the director of “Wishing on a Star” in section Orizzonti, shares the fascinating story behind the project. The story highlights the life of Luciana and her interactions with an Italian astrologer. Initially reluctant to take on the project, Kerekes reveals that the idea originated from producer and screenwriter Erica Barbiani. She persistently encouraged him for three years to meet Luciana and explore the world of astrology. Despite his initial disinterest—he admits to not even reading horoscopes—Kerekes’s perspective shifted dramatically after a dinner meeting with Luciana.

“After spending just one hour observing her during an interview with a client, I was captivated,” Kerekes recalls. He was mesmerized by her emotional range and the way she effortlessly conveyed her feelings. “I said, ‘Wow, I have to film it!’” he notes, emphasizing that Luciana’s energy and charm inspired him to create the film.

Throughout the interview, Kerekes reflects on how the diverse cast of characters represents various facets of his life. Specifically, he mentions his relationship with his younger sister, pointing out how this connection resonates in the dynamic between the twins in the film. “I always try to organize her life because I think I know better,” he explains, mirroring the relationships depicted in the film. He shares a touching moment when his mother watched the movie and recognized their similar communication patterns, demonstrating the personal stakes interwoven into the narrative.

The film also explores the concept of inner and outer journeys, and Kerekes argues that both are essential for personal transformation. He explains that a physical journey can foster a deeper understanding of oneself, suggesting that rituals can be transformative. “You have to turn your home to Alaska or Yekaterimburg or Sahara,” he states, underscoring the importance of changing one’s daily environment to facilitate personal growth.

Kerekes delves into the captivating relationship between Luciana and Rudolfo, revealing her nuanced role as a psychological guide for her clients. He describes Luciana as a “genius psychologist” whose primary clientele consists of women in search of love. Kerekes outlines how she cleverly uses astrology to help her clients find their ideal partners, often sending them to places with appealing Eastern men. “The women who come back to Italy see these men with fresh perspectives, and it changes how they view their own love lives,” he explains, indicating Luciana’s role in reshaping her clients’ self-confidence.

In conclusion, “Wishing on a Star” is not just a film about astrology; it’s a narrative that interweaves love, personal journeys, and the complexities of human relationships against a vibrant backdrop. Through the lens of Peter Kerekes, the audience is invited to explore the depth of connection between self-discovery and the influence of external experiences.

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