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“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
PODCAST | Matt Micucci interviews Sophie Goyette, director of MES NUITS FERONT ÉCHO from the 46th International Film Festival Rotterdam.
MES NUITS FERONT ÉCHO (English title: Still Night, Still Light) is the first feature film by Sophie Goyette. The film’s turning points seem to revolve around dreams. Goyette shares with us her views on dreams. But another fascinating aspect of the movie is its variety of cultural and geographical backgrounds, the mixture of which greatly affects the movie. Interestingly, Goyette reveals that this was a challenge that she posed for herself: she had never visited many of the places in which the film is shot. This introduces a concept of personal cinema that lurks behind the works of her filmmaking works, and perhaps affects them. MES NUITS FERONT ÉCHO is the first feature film by Sophie Goyette. The film’s turning points seem to revolve around dreams. Goyette shares with us her views on dreams. But another fascinating aspect of the movie is its variety of cultural and geographical backgrounds, the mixture of which greatly affects the movie. Interestingly, Goyette reveals that this was a challenge that she posed for herself: she had never visited many of the places in which the film is shot. This introduces a concept of personal cinema that lurks behind the works of her filmmaking works, and perhaps affects them.
MES NUITS FERONT ÉCHO: Across Americas and Asia, three characters from different cultures and generations are at a turning point in their lives. The key to their questioning may lie in their dreams. This delicate film feeds our sense of regret and existential longing with nocturnal poetry, melancholy and humour.
Barbara Allen with her film "House Music: A Cultural Evolution" paints a clear picture of the birth of a genre that is still rocking the dancefloors, and that in Chicago found a second prolific home to develop and evolve.
Kesmat El Sayed, one of the speakers on a panel on Arab Cinema, held in the frame of the World Cinema Fund days at the Berlinale 2025, is a producer from Egypt, based in Germany, who explains the difficult work …
Emma Barboni, film commissioner of the Emilia Romagna Film Commission, tells us about the production of the film "Paternal Leave" by Alissa Jung, presented in the Generation section of the Berlinale, and also about the new funds available for film …
Gemma Lynch is the Head of Production of Sardinia film Commission. She has been at the European film Market bringing a huge delegation of professionals from the region to navigate inside the European Film Market to be known and to …
