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ITALIAN Channel 02 Se l’italiano è la tua lingua, o una lingua che conosci, QUESTO È IL TUO CANALE!
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EXTRA Channel 03 FRED Film Radio channel used to broadcast press conferences, seminars, workshops, master classes, etc.
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ENTERTAINMENT Channel 11 FRED Film Radio Channel used to broadcast music and live shows from Film Festivals.
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BULGARIAN Channel 16 Ако българският е вашият роден език, или го разбирате, ТОВА Е ВАШИЯТ КАНАЛ !
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ICELANDIC Channel 26 Ef þú talar, eða skilur íslensku, er ÞETTA RÁSIN ÞÍN !
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INDUSTRY Channel 27 FRED Film Radio channel completely dedicated to industry professionals.
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EDUCATION Channel 28 FRED Film Radio channel completely dedicated to film literacy.
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SARDU Channel 29 Si su sardu est sa limba tua, custu est su canale chi ti deghet!
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“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
“September 5” by Tim Fehlbaum narrates the days of the terroristic attack to the Munich Olympics, from the point of view of the sport tv crew that was forcibly the first ever to face a situation like this on tv. That day marked a turning point for television and for the way and rules of showing news on TV. With a fast-paced, almost reality TV rhythm, the film also tackles this issue from the personal and moral point of view of the producer of the TV programme and the reporters.
Tim Fehlbaum says that “September 5” as we see it was born out of a conversation he had with Geoff Mason, the editor-in-chief who was in the studio in Munich on that day in 1972, and how they had to deal with those 22 incredible and tragic hours.
For Tim Fehlbaum, the point of view of the TV crew was the best to use for storytelling: a single space in which all the action unfolds automatically creates a superior rhythm and narrative tension; in addition, working in the media world made it easier for him to be at ease and be certain of the veracity of what he was telling.
September 5 unveils the defining moment that changed media coverage forever and continues to impact live news coverage today. Set during the 1972 Munich Olympics, the film follows the crew of an American sports broadcast that quickly adapted from sports reporting to live coverage of Israeli athletes taken hostage. Through this lens, September 5 offers a powerful new perspective on live television at the time, seen around the world by an estimated one billion people. At the centre of the story is Geoff, an ambitious young producer trying to prove himself to his boss, legendary TV executive Roone Arledge. Together with his German interpreter Marianne, Geoff unexpectedly takes control of the show. As reports change, time runs out and conflicting rumours spread, with the hostages' lives hanging in the balance, Geoff, face to face with his own moral compass, must make difficult decisions. How do you report on such a situation if what the perpetrators really want is to be in our spotlight?
"September 5" is the narration of the moment when live news coverage changed forever. Ben Chaplin plays the experienced news producer that is asked by history to make the difference and manage the unthinkable, when the terrorists attack at the …
Beetlejuice Beetlejuice, the opening film of Venezia 81, marks the reunion between visionary director Tim Burton and star Michael Keaton
“Pooja, Sir” tells stories of discrimination in Nepal. Discover how cinema can promote empathy and understanding across communities.
Beetlejuice Beetlejuice, sequel to the 1988 iconic film by Tim Burton welcomes new characters portrayed by Monica Bellucci and Willem Dafoe.
Carlo Chatrian replaces Domenico De Gaetano as new Director of the National Cinema Museum in Turin
"September 5" is the narration of the moment when live news coverage changed forever. Ben Chaplin plays the experienced news producer that is asked by history to make the difference and manage the unthinkable, when the terrorists attack at the …
Giornate degli Autori - Venezia
“Possibility of paradise” the quest for a new Eden in a tropical purgatory, where dreams face reality: what is a good life, and how to live it?
"Songs of slow burning earth", the normalisation of war depicted through an impressive cinematographic documentary: filming as a tool to resist during the full-scale invasion of Ukraine.
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