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ENGLISH Channel 01 If English is your language, or a language you understand, THIS IS YOUR CHANNEL !
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ITALIAN Channel 02 Se l’italiano è la tua lingua, o una lingua che conosci, QUESTO È IL TUO CANALE!
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EXTRA Channel 03 FRED Film Radio channel used to broadcast press conferences, seminars, workshops, master classes, etc.
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GERMAN Channel 04 Wenn Ihre Sprache Deutsch ist, oder Sie diese Sprache verstehen, dann ist das IHR KANAL !
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SLOVENIAN Channel 10
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ENTERTAINMENT Channel 11 FRED Film Radio Channel used to broadcast music and live shows from Film Festivals.
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BULGARIAN Channel 16 Ако българският е вашият роден език, или го разбирате, ТОВА Е ВАШИЯТ КАНАЛ !
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CROATIAN Channel 17 Ako je hrvatski tvoj jezik, ili ga jednostavno razumiješ, OVO JE TVOJ KANAL!
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LITHUANIAN Channel 24
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ICELANDIC Channel 26 Ef þú talar, eða skilur íslensku, er ÞETTA RÁSIN ÞÍN !
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INDUSTRY Channel 27 FRED Film Radio channel completely dedicated to industry professionals.
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EDUCATION Channel 28 FRED Film Radio channel completely dedicated to film literacy.
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SARDU Channel 29 Si su sardu est sa limba tua, custu est su canale chi ti deghet!
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“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
“September 5” by Tim Fehlbaum narrates the days of the terroristic attack to the Munich Olympics, from the point of view of the sport tv crew that was forcibly the first ever to face a situation like this on tv. That day marked a turning point for television and for the way and rules of showing news on TV. With a fast-paced, almost reality TV rhythm, the film also tackles this issue from the personal and moral point of view of the producer of the TV programme and the reporters.
Tim Fehlbaum says that “September 5” as we see it was born out of a conversation he had with Geoff Mason, the editor-in-chief who was in the studio in Munich on that day in 1972, and how they had to deal with those 22 incredible and tragic hours.
For Tim Fehlbaum, the point of view of the TV crew was the best to use for storytelling: a single space in which all the action unfolds automatically creates a superior rhythm and narrative tension; in addition, working in the media world made it easier for him to be at ease and be certain of the veracity of what he was telling.
September 5 unveils the defining moment that changed media coverage forever and continues to impact live news coverage today. Set during the 1972 Munich Olympics, the film follows the crew of an American sports broadcast that quickly adapted from sports reporting to live coverage of Israeli athletes taken hostage. Through this lens, September 5 offers a powerful new perspective on live television at the time, seen around the world by an estimated one billion people. At the centre of the story is Geoff, an ambitious young producer trying to prove himself to his boss, legendary TV executive Roone Arledge. Together with his German interpreter Marianne, Geoff unexpectedly takes control of the show. As reports change, time runs out and conflicting rumours spread, with the hostages' lives hanging in the balance, Geoff, face to face with his own moral compass, must make difficult decisions. How do you report on such a situation if what the perpetrators really want is to be in our spotlight?
"September 5" is the narration of the moment when live news coverage changed forever. Ben Chaplin plays the experienced news producer that is asked by history to make the difference and manage the unthinkable, when the terrorists attack at the …
Beetlejuice Beetlejuice, the opening film of Venezia 81, marks the reunion between visionary director Tim Burton and star Michael Keaton
“Pooja, Sir” tells stories of discrimination in Nepal. Discover how cinema can promote empathy and understanding across communities.
Beetlejuice Beetlejuice, sequel to the 1988 iconic film by Tim Burton welcomes new characters portrayed by Monica Bellucci and Willem Dafoe.
Kesmat El Sayed, one of the speakers on a panel on Arab Cinema, held in the frame of the World Cinema Fund days at the Berlinale 2025, is a producer from Egypt, based in Germany, who explains the difficult work …
Emma Barboni, film commissioner of the Emilia Romagna Film Commission, tells us about the production of the film "Paternal Leave" by Alissa Jung, presented in the Generation section of the Berlinale, and also about the new funds available for film …
Gemma Lynch is the Head of Production of Sardinia film Commission. She has been at the European film Market bringing a huge delegation of professionals from the region to navigate inside the European Film Market to be known and to …
Stefania Ippoliti, director of the Toscana Film Commission, is proud to share with us the development and the success of Manifatture Digitali Cinema, an education program for soon-to-be professionale in the film production field, created and acted in Prato, Tuscany.
