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Berlinale

“Reflet Dans Un Diamant Mort”, interview avec les réalisateurs Hélène Cattet et Bruno Forzani

todayFebruary 21, 2025

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Hélène Cattet, Bruno Forzani rélisateurs, "Reflet Dans Un Diamant Mort". Un film rétro sul le monde de l'espionnage au cinema des années soixante, avec una fascination moderne.

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    "Reflet Dans Un Diamant Mort", interview avec les réalisateurs Hélène Cattet et Bruno Forzani Angelo Acerbi

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Hélène Cattet et Bruno Forzani sont les auteurs et réalisateurs de “Reflet Dans Un Diamant Mort“, un rare film de genre, un noir-espionnage, en compétition officielle au festival de Berlin. la coproduction entre Belgique, Luxembourg et Italie est un plongeon dans le monde des espions des années Soixante, avec toute les références possible à les icônes  du genre européennes aussi, Eurospy e Diabolik pour commencer.

Un hommage total à un genre universellement aimé

Soit Hélène Cattet que Bruno Forzani ont grandi avec James Bond, et aussi ses correspondants européens. L’envie de faire ce film part de là, et se construit sur une idée de forme nouvelle, de narration et de direction, mois simplifiée de celle des film originaux, et plus surprenante, en partant de la vieillesse de l’héros qui doit revivre son passé.

Un film à la vielle manière

Hélène Cattet nous raconte aussi que le film a été tourné sans aucune enregistrement de son, toute la partie audio a été reconstruite en montage, come on faisait dans le passé. Effect audio, musiques et aussi les dialogues ont été ajoutés après, avec un travail de 7 mois de montage ,


Plot

John is 70 years old and lives in solitary luxury in a grand hotel on the Côte d’Azur. He becomes intrigued by the woman in the room next door who reminds him of his wild years on the Riviera in the 1960s, back when he was a debonair international spy in a world brimming with peril and promise. But when the woman mysteriously disappears, John is beset by flashbacks – or perhaps fantasies – of his glamorous and grotesque past, and the alluring women and dastardly villains who lived and died there. With imagery that pays affectionate homage to the 1960s Eurospy genre and is tinged with playful gore, John’s reality becomes fragmented as he seeks to unravel the puzzle of his past. Memory, madness and moviemaking become increasingly difficult to separate. Are his old enemies back to wreak havoc on his idyllic life? Are there yet more conspiracies and treacheries waiting to be unmasked? Or has he simply been bewitched by the beautiful and dangerous lure of escapist cinema itself?

Written by: Angelo Acerbi

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