Bari International Film Festival
“Everybody Calls Redjo”, interview with director Ibër Deari
"I thought that this type of immigration only happened in my country, but I see that it is very universal and is happening everywhere in the world".
Listeners:
Top listeners:
ENGLISH Channel 01 If English is your language, or a language you understand, THIS IS YOUR CHANNEL !
ITALIAN Channel 02 Se l’italiano è la tua lingua, o una lingua che conosci, QUESTO È IL TUO CANALE!
EXTRA Channel 03 FRED Film Radio channel used to broadcast press conferences, seminars, workshops, master classes, etc.
GERMAN Channel 04 Wenn Ihre Sprache Deutsch ist, oder Sie diese Sprache verstehen, dann ist das IHR KANAL !
POLISH Channel 05
SPANISH Channel 06 Si tu idioma es el español, o es un idioma que conoces, ¡ESTE ES TU CANAL!
FRENCH Channel 07 Si votre langue maternelle est le français, ou si vous le comprenez, VOICI VOTRE CHAINE !
PORTUGUESE Channel 08
ROMANIAN Channel 09 Dacă vorbiţi sau înţelegeţi limba română, ACESTA ESTE CANALUL DUMNEAVOASTRĂ!
SLOVENIAN Channel 10
ENTERTAINMENT Channel 11 FRED Film Radio Channel used to broadcast music and live shows from Film Festivals.
BULGARIAN Channel 16 Ако българският е вашият роден език, или го разбирате, ТОВА Е ВАШИЯТ КАНАЛ !
CROATIAN Channel 17 Ako je hrvatski tvoj jezik, ili ga jednostavno razumiješ, OVO JE TVOJ KANAL!
LATVIAN Channel 18
DANISH Channel 19
HUNGARIAN Channel 20
DUTCH Channel 21
GREEK Channel 22
CZECH Channel 23
LITHUANIAN Channel 24
SLOVAK Channel 25
ICELANDIC Channel 26 Ef þú talar, eða skilur íslensku, er ÞETTA RÁSIN ÞÍN !
INDUSTRY Channel 27 FRED Film Radio channel completely dedicated to industry professionals.
EDUCATION Channel 28 FRED Film Radio channel completely dedicated to film literacy.
SARDU Channel 29 Si su sardu est sa limba tua, custu est su canale chi ti deghet!
“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
Bari International Film Festival
“Opus”, interview with director Mark Anthony Green Manuela Santacatterina
At the 16th Bari International Film & Tv Festival, FRED Film Radio interviewed the director Mark Anthony Green to talk about “Opus”, a film with John Malkovich, Ayo Edebiri, Juliette Lewis, Murray Bartlett presented at Rosso di sera section.
“Opus” describes celebrity as a dangerous cult. How does Mark Anthony Green think the obsession of fame, even among ordinary people through social media, is influencing our society? “I think the thing we interrogate in the movie is bigger than just celebrities” says the director. “It also goes to elected officials, it goes to community leaders. Opus is a super fun movie, it’s a wild ride. But the thing we interrogate – this idea of tribalism – it exists in religions, in churches, on television and in radio. Unfortunately it’s a universal kind of global pandemic that’s bigger than just celebrities. I chose a pop star because it felt like the most fun way to do it, but it’s a big problem”.
Before becoming a director, Mark Anthony Green was a journalist like Ariel, the main character of “Opus”. Through the film, the director also tells the story of the obsession of a certain type of journalists to be in the spotlight. “The journalism in Opus, to me, was really important to get the power dynamic correct. And that was it”, says Green. “If her relationship to Moretti was different, if she was an assistant or something like that, then I still think we could have told this story. I’m sure that I brought a lot of my experience when I look back at young Mark Anthony and the mistakes that he made when he was Ariel’s age. It was easy for me to apply a lot of that, because I lived it and was a journalist for 13 years. But the most important thing was just for it to feel accurate, for young journalists to watch this film and feel like: “Oh, that is an accurate representation of me”. And I felt the same way about pop stars. I wanted Elton John, Liberace and David Bowie, if they were still here, to be able to watch this film and to be like: ‘Yep, those songs sound right’. I think that authenticity is something that I owe the audience. And I’m super proud to say that Opus is a very authentic film’”.
It took Mark Anthony Green six years to make “Opus”. And in these years the world has become even darker, making the film even more relevant. “I would trade the relevancy in a heartbeat if it meant the film was less relevant. But unfortunately, that’s not our current situation”, says the director. “And I think in particular, this very specific thing that Opus kind of tackles and interrogates, the world has gotten much worse in that regard. And so I don’t pretend to have any answers. I don’t think artists are supposed to have answers. We’re supposed to provoke and to create experiences that people share and that smart come up with the answers and figure out a better path forward for us”.
“Opus” puts a cult at the center of the story. But why, according to the director, do we need idols so much? “I think it’s very human. One of the most human instincts is to want to belong to something bigger than yourself. To want to belong to a group, to be connected and tethered to other classes of people and a guild or a movement or whatever. That is so human”, says Mark Anthony Green. “And with less and less people being religious and having organized religion in their life, I do think that we’ve kind of supplemented the void of that with these people. And it’s so visceral and it can also be fun and it can feel like you really belong to something. But I think the question that Opus asks is: ‘Does this still serve us?’. Are we better off because of our extreme belief and idolatry of these people or has this institution gone too far?’”.
Alfred Moretti is a legend. His songs have inspired generations, his music is a global phenomenon, and his life – suspended between reality, myth, and gossip – fascinates and excites fans in every corner of the world, especially since he retired from the spotlight. Now, after more than 20 years of silence, Moretti announces that a new album will be released. To promote it, he invites a select group of journalists, critics, and music experts to an isolated ranch. For Ariel, a young editor with great hopes, this is the opportunity she has been waiting for. But in life, as in art, nothing is ever as it seems, and it will soon become clear to all the guests that there is no more dangerous cult than that of celebrity.
Written by: Manuela Santacatterina
Guest
OpusFilm
OpusFestival
Bari International Film FestivalBari International Film Festival
"I thought that this type of immigration only happened in my country, but I see that it is very universal and is happening everywhere in the world".
Bari International Film Festival
"he journey is not about whether or not she gets the dress. It's about the fact that she has the right to dream about something"
Bari International Film Festival
"This film is mostly my journey towards my family and towards my mother"
Bari International Film Festival
"I was displaced in my home. I've never been to Syria and I can't go to it"
August B Hanssen, director on "Fatherhood", non-conventional families and fostering empathy
Bari International Film Festival
Being a teenager is such an interesting time because you remember from those times only the most highlighted events”.
todayMarch 28, 2025 1
Masquerade takes you on a journey through the art of film scoring with composer MOWG. Discover the depth behind his captivating compositions!
Bari International Film Festival
“With the film I'm trying to show how we are creating monsters in our society because of the pressure and all those things that society is expecting from us”.
© 2023 Emerald Clear Ltd - all rights reserved.