In a captivating interview, María Gisèle Royo and Julia de Castro, the brilliant minds behind the visionary film “On the Go” offer an in-depth glimpse into their creative journey sharing their thoughts with the main actor Omar Ayuso. The film stands as a testament to their unwavering commitment to innovation, pushing the boundaries of cinema and storytelling.
Set to world premiere in Locarno’s Cineasti del Presente, “On the Go” captures much of the spirit of the freewheeling road movie through an Andalusia of music, dance, sex and sensuality. Maria Gisèle Royo and Julia de Castro revisits from a female perspective an extraordinary Andalusian feature, 1982’s “Corridas de Alegría”.
The Genesis of “On the Go”:
From the moment the idea for “On the Go” was conceived, Maria Gisèle Royo and Julia de Castro embarked on a mission to create a cinematic experience like no other. The film emerged as a natural evolution from their previous work, “Corridas de Alegría”, bearing the indelible marks of their distinctive artistic vision.
Blurring Aesthetic Boundaries:
In “On the Go” Maria Gisèle Royo and Julia de Castro shatter the confines of visual uniformity, opting for a diverse range of tones and aesthetics. Each scene, a masterpiece in itself, captures the essence of the moment and contributes to the dynamic tapestry of the narrative. The fusion of analog and digital techniques offers an immersive and visually striking experience that keeps the audience engaged.
The Harmonious Dance of Music and Emotion:
Music continues to play a vital role in the heart of their storytelling. De Castro reveals the meticulous process of selecting tracks that resonate with the scenes and characters. From the ’70s and ’80s nostalgia to contemporary Spanish artists, the film’s soundtrack becomes a symphony that weaves seamlessly with the visuals, amplifying emotions and intensifying connections.
Embracing Spontaneity:
One of the defining characteristics of “On the Go” is the commitment to capturing authentic moments. Royo explains how their deliberate decision to work with limited footage led to a sense of immediacy and spontaneity on set. Scenes were often captured in a single take, capturing genuine reactions and emotions that infuse the film with an undeniable vitality.
A Creative Kaleidoscope:
As the interview unfolds, it becomes evident that “On the Go” is not just a film; it’s a dynamic artistic experiment. Royo and de Castro’s holistic approach to storytelling blurs the lines between traditional and avant-garde cinema. The inclusion of exposure errors, burns, and scratches during editing adds an organic touch, embracing the imperfections that make their work distinctively raw and experimental.
The Legacy of “On the Go”:
The impact of “On the Go” extends far beyond the screen. It’s a testament to the boundless possibilities of cinematic expression and a nod to the evolving landscape of filmmaking. The film’s legacy is cemented by its ability to inspire viewers to embrace their unique creative visions and push the boundaries of conventional storytelling.
Dive into the heart of “On the Go” with an exclusive interview featuring María Gisèle Royo, Julia de Castro and Omar Ayuso. Experience the creative genius that fuels their cinematic magic and hear firsthand how the film redefines the art of storytelling.
Plot
Milagros (37 years old) extends a carefree youth until the last years of her fertility, while Jonathan (24 years old) seeks relief from his abandonment syndrome on Grindr. Milagros is looking for sperm. Jonathan's Escape Routes. A delirious road movie, shot entirely in 16mm, full of music, in which a mysterious siren with a magical crown indicates the route.