Mikko Myllylahti – The Woodcutter Story #TFF40
A bizarre and touching tale of optimism and resilience, in the cold and snowy Finland.
Listeners:
Top listeners:
ENGLISH Channel 01 If English is your language, or a language you understand, THIS IS YOUR CHANNEL !
ITALIAN Channel 02 Se l’italiano è la tua lingua, o una lingua che conosci, QUESTO È IL TUO CANALE!
EXTRA Channel 03 FRED Film Radio channel used to broadcast press conferences, seminars, workshops, master classes, etc.
GERMAN Channel 04 Wenn Ihre Sprache Deutsch ist, oder Sie diese Sprache verstehen, dann ist das IHR KANAL !
POLISH Channel 05
SPANISH Channel 06 Si tu idioma es el español, o es un idioma que conoces, ¡ESTE ES TU CANAL!
FRENCH Channel 07 Si votre langue maternelle est le français, ou si vous le comprenez, VOICI VOTRE CHAINE !
PORTUGUESE Channel 08
ROMANIAN Channel 09 Dacă vorbiţi sau înţelegeţi limba română, ACESTA ESTE CANALUL DUMNEAVOASTRĂ!
SLOVENIAN Channel 10
ENTERTAINMENT Channel 11 FRED Film Radio Channel used to broadcast music and live shows from Film Festivals.
BULGARIAN Channel 16 Ако българският е вашият роден език, или го разбирате, ТОВА Е ВАШИЯТ КАНАЛ !
CROATIAN Channel 17 Ako je hrvatski tvoj jezik, ili ga jednostavno razumiješ, OVO JE TVOJ KANAL!
LATVIAN Channel 18
DANISH Channel 19
HUNGARIAN Channel 20
DUTCH Channel 21
GREEK Channel 22
CZECH Channel 23
LITHUANIAN Channel 24
SLOVAK Channel 25
ICELANDIC Channel 26 Ef þú talar, eða skilur íslensku, er ÞETTA RÁSIN ÞÍN !
INDUSTRY Channel 27 FRED Film Radio channel completely dedicated to industry professionals.
EDUCATION Channel 28 FRED Film Radio channel completely dedicated to film literacy.
SARDU Channel 29 Si su sardu est sa limba tua, custu est su canale chi ti deghet!
“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
PODCAST| Angelo Acerbi interviews Nicolas Wackerbath, director of the film Casting.
Nicolas Wackerbath tells us the peculiar way he used to create this film: no screenplay, just improvisation, long continuous shots of one hour and then editing. The intensity we get comes from this strenuous method, which definitely worked.
Casting: One week before shooting starts, the main protagonist has yet to be cast. Vera is about to make her first TV movie, a remake of Fassbinder’s The Bitter Tears of Petra von Kant, and takes her time looking for her ideal cast. While the producer and the crew become desperate, an actor in the crew, Gerwin, is happy about the extra work. He earns his money as fixed casting partner and exchanges lines with the famous applicants for the role. When the male lead leaves the production, Gerwin senses his chance to get a fresh start as an actor.
Written by: fredfilmradio
Angelo Acerbi Casting Festa mobile Nicolas Wackerbath Torino Film Festival
Guest
Nicolas WackerbathFilm
CastingFestival
Torino Film FestivalA bizarre and touching tale of optimism and resilience, in the cold and snowy Finland.
The director of Pamfir tells us all about his visually striking and emotionally driven film.
todayDecember 10, 2022 2
Kristina is not jus a portrait of a trans woman, but of a person who deals with the world, as Nikola Spasic tells us.
A chat with an iconic actor about his beginnings and the masterpieces of his career.
Self, a Pixar Sparkshort title by Searit Huluf, premiering at the Frame Future FF, is literally poetry turned into cinema
Discover “Bogancloch,” the docufilm by Ben Rivers that explores the intricate relationship between isolation and nature, inviting audiences to reflect on the human experience in a profound way.
In competition at the 24Frame Future Film Festival, Hugh Welchman with "The Peasants", a groundbreaking oil-painted animation capturing love, betrayal, and resilience in a Polish village.
Trieste Science+Fiction Festival
The artistic director of the Trieste Science+ Fiction Festival on the success of the 24th edition
© 2023 Emerald Clear Ltd - all rights reserved.