Nina Reviers, Anna Jankowska, Gert Vercauteren #ARSAD2023
ARSAD 2023 and Media for All 10: audio description and media accessibility beyond their traditional boundaries.
Listeners:
Top listeners:
ENGLISH Channel 01 If English is your language, or a language you understand, THIS IS YOUR CHANNEL !
ITALIAN Channel 02 Se l’italiano è la tua lingua, o una lingua che conosci, QUESTO È IL TUO CANALE!
EXTRA Channel 03 FRED Film Radio channel used to broadcast press conferences, seminars, workshops, master classes, etc.
GERMAN Channel 04 Wenn Ihre Sprache Deutsch ist, oder Sie diese Sprache verstehen, dann ist das IHR KANAL !
POLISH Channel 05
SPANISH Channel 06 Si tu idioma es el español, o es un idioma que conoces, ¡ESTE ES TU CANAL!
FRENCH Channel 07 Si votre langue maternelle est le français, ou si vous le comprenez, VOICI VOTRE CHAINE !
PORTUGUESE Channel 08
ROMANIAN Channel 09 Dacă vorbiţi sau înţelegeţi limba română, ACESTA ESTE CANALUL DUMNEAVOASTRĂ!
SLOVENIAN Channel 10
ENTERTAINMENT Channel 11 FRED Film Radio Channel used to broadcast music and live shows from Film Festivals.
BULGARIAN Channel 16 Ако българският е вашият роден език, или го разбирате, ТОВА Е ВАШИЯТ КАНАЛ !
CROATIAN Channel 17 Ako je hrvatski tvoj jezik, ili ga jednostavno razumiješ, OVO JE TVOJ KANAL!
LATVIAN Channel 18
DANISH Channel 19
HUNGARIAN Channel 20
DUTCH Channel 21
GREEK Channel 22
CZECH Channel 23
LITHUANIAN Channel 24
SLOVAK Channel 25
ICELANDIC Channel 26 Ef þú talar, eða skilur íslensku, er ÞETTA RÁSIN ÞÍN !
INDUSTRY Channel 27 FRED Film Radio channel completely dedicated to industry professionals.
EDUCATION Channel 28 FRED Film Radio channel completely dedicated to film literacy.
SARDU Channel 29 Si su sardu est sa limba tua, custu est su canale chi ti deghet!
“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
PODCAST | Francesca Raffi interviews Marina Ramos Caro, Lecturer at the Department of Translation and Interpreting at the University of Murcia.
Research on audio description has undergone an enormous development in the last decade. Marina Ramos Caro, one of the speakers at ARSAD 2023, tells us more about emotions, objectivity versus subjectivity, and the role of ideology in audio description. Since 2007, ARSAD has been the meeting point for researchers, industry, trainers, trainees, users, practitioners, regulators, broadcasters, policy makers, social activists, cultural managers and anyone interested in audio description. ARSAD aims to be a thought-provoking event where we can learn about the present of audio description across the globe from multidisciplinary perspectives and where we can get a glimpse of the future of this fascinating access mode.
Marina Ramos Caro, PhD, is a Lecturer at the Department of Translation and Interpreting at the University of Murcia, Spain. She is particularly interested in the influence of emotions and personality in the process and reception of translation and audio description. Marina Ramos has been awarded several international grants, presented her work at international conferences, and published in journals (Journal of Pragmatics, MonTi, Translation Spaces, The Translator, Perspectives, Journal of Specialised Translation, Onomázein). As a professional translator, she has mainly worked within the fields of subtitling, dubbing, and transcreation. She is also the founder and director of Latrium, the Laboratory for Inclusive Translation of the University of Murcia, a project aimed at promoting the accessibility of the performing arts in the Region of Murcia by means of live surtitles and AD.
To discover more, click here.
Written by: fredfilmradio
ARSAD Francesca Raffi Marina Ramos Caro
Guest
Marina Ramos CaroFilm
Festival
ARSADARSAD 2023 and Media for All 10: audio description and media accessibility beyond their traditional boundaries.
Professional audio describer and lead trainer in Red Bee Media’s Audio Description team.
ARSAD 2023 will put the focus on audio description beyond its traditional boundaries. Anna Matamala tells us more about the conference.
Barbara Allen with her film "House Music: A Cultural Evolution" paints a clear picture of the birth of a genre that is still rocking the dancefloors, and that in Chicago found a second prolific home to develop and evolve.
Kesmat El Sayed, one of the speakers on a panel on Arab Cinema, held in the frame of the World Cinema Fund days at the Berlinale 2025, is a producer from Egypt, based in Germany, who explains the difficult work …
Emma Barboni, film commissioner of the Emilia Romagna Film Commission, tells us about the production of the film "Paternal Leave" by Alissa Jung, presented in the Generation section of the Berlinale, and also about the new funds available for film …
Gemma Lynch is the Head of Production of Sardinia film Commission. She has been at the European film Market bringing a huge delegation of professionals from the region to navigate inside the European Film Market to be known and to …
© 2023 Emerald Clear Ltd - all rights reserved.