“The Palace”, interview with actor Oliver Masucci
"The Palace" by Roman Polanski opens the door to a world of excess, futility and grotesque, to portray with irony the world of the rich and tgeir idiosyncrasies, that have no boundaries.
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“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
PODCAST | Angelo Acerbi interviews Maggie Gyllenhall, director of the film The Lost Daughter.
Maggie Gyllenhall tells us about her fascination for the book The Lost Daughter by Elena Ferrante, which she adapted for the big screen, in a enticing and fascinating way, using the art of an actress that can do anything she wants, Olivia Coleman.
The Lost Daughter: Alone on a seaside vacation, Leda becomes consumed with a young mother and daughter as she watches them on the beach. Unnerved by their compelling relationship, (and their raucous and menacing extended family), Leda is overwhelmed by her own memories of the terror, confusion and intensity of early motherhood. An impulsive act shocks Leda into the strange and ominous world of her own mind, where she is forced to face the unconventional choices she made as a young mother and their consequences.
Written by: fredfilmradio
Angelo Acerbi Competition Maggie Gyllenhall The Lost Daughter Venezia 78
Film
Festival
Mostra del Cinema di Venezia"The Palace" by Roman Polanski opens the door to a world of excess, futility and grotesque, to portray with irony the world of the rich and tgeir idiosyncrasies, that have no boundaries.
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