Takeshi Kogahara – Nagisa #TFF40
A debut film, a nostalgic and melancholic look on how difficult it is to process grief and accept the loss of someone dear.
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“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
PODCAST | Chiara Nicoletti interviews Luis Mandoki, director of the film Presencias.
At the 40th Torino Film Festival, in the Out of competition section Crazies, Luis Mandoki, director of Hollywood rom-coms such as Born Yesterday, Message in a Bottle and Angel Eyes talks about his first horror film, set in Mexico, Presencias, starring Academy Oscar nominee Oscar Yalitza Aparicio.
Presencias: Follows a man whose pregnant wife gets murdered and despite the police investigation, the truth is unknown. He tries to find what happened, which confronts him with situations of suspense and terror.
Written by: fredfilmradio
Chiara Nicoletti Luis Mandoki Out of Competition - Crazies Presencias Torino Film Festival
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Luis MandokiFilm
PresenciasFestival
Torino Film FestivalA debut film, a nostalgic and melancholic look on how difficult it is to process grief and accept the loss of someone dear.
Pannone e Gropplero di Troppenburg, la generazione del boom si interroga tra passato e futuro.
todayNovember 28, 2022 1
"A film about the journalists and all the women who stood up to tell their stories": Maria Schrader on She Said's essential drive and focus.
A gentle tale about anarchy.
An interview with director Christopher Andrews and actor Colm Meaney for their "Bring Them Down", that confronts themes of isolation and conflict.
At Alice nella Città the first feature film of Julien Menanteau "Lads", an insightful look into the world of young jockeys and the horse racing industry.
When We Were Sisters explores the complexities of friendship and family through a 90s lens. At Alice nella Città, director Lisa Brühlmann emphasizes the importance of resilience and connection in her heartfelt film.
In competition at Alice nella Città, "The Courageous" by Jasmin Gordon who tells us about motherhood, through the great interpretation of Ophelia Kolb.
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