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ENGLISH Channel 01 If English is your language, or a language you understand, THIS IS YOUR CHANNEL !
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ITALIAN Channel 02 Se l’italiano è la tua lingua, o una lingua che conosci, QUESTO È IL TUO CANALE!
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EXTRA Channel 03 FRED Film Radio channel used to broadcast press conferences, seminars, workshops, master classes, etc.
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GERMAN Channel 04 Wenn Ihre Sprache Deutsch ist, oder Sie diese Sprache verstehen, dann ist das IHR KANAL !
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POLISH Channel 05
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SPANISH Channel 06 Si tu idioma es el español, o es un idioma que conoces, ¡ESTE ES TU CANAL!
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FRENCH Channel 07 Si votre langue maternelle est le français, ou si vous le comprenez, VOICI VOTRE CHAINE !
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PORTUGUESE Channel 08
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ROMANIAN Channel 09 Dacă vorbiţi sau înţelegeţi limba română, ACESTA ESTE CANALUL DUMNEAVOASTRĂ!
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SLOVENIAN Channel 10
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ENTERTAINMENT Channel 11 FRED Film Radio Channel used to broadcast music and live shows from Film Festivals.
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BULGARIAN Channel 16 Ако българският е вашият роден език, или го разбирате, ТОВА Е ВАШИЯТ КАНАЛ !
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CROATIAN Channel 17 Ako je hrvatski tvoj jezik, ili ga jednostavno razumiješ, OVO JE TVOJ KANAL!
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DANISH Channel 19
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HUNGARIAN Channel 20
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DUTCH Channel 21
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GREEK Channel 22
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CZECH Channel 23
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LITHUANIAN Channel 24
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SLOVAK Channel 25
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ICELANDIC Channel 26 Ef þú talar, eða skilur íslensku, er ÞETTA RÁSIN ÞÍN !
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INDUSTRY Channel 27 FRED Film Radio channel completely dedicated to industry professionals.
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EDUCATION Channel 28 FRED Film Radio channel completely dedicated to film literacy.
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SARDU Channel 29 Si su sardu est sa limba tua, custu est su canale chi ti deghet!
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“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
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"Love", interview with the director Dag Johan Haugerud and actress Andrea Braein Hovig Angelo Acerbi
“Love” is the new film by Dag Johan Haugerud, in competition at the 81st Venice International Film Festival. The film is the second part of a trilogy that started at the Berlin festival with “Sex” and will be completed with “Dream“, that will appear later next year. We met with the director and the lead actress Andrea Barein Hovig after the premiere.
In “Love” the intention of the director was to demonstrate that it is easy to be good, and that being good is rewarding. The morals are personal as far as we are not hurting others, every choice is the right choice.
Andrea Braein Hovig explained that the way Dag Johan Haugerud was directing them was very relaxed and naturalistic: having no constrictions in terms on how to deliver besides the nature of the characters and the screenplay made the outcome really believable and empathetic.
Marianne, a pragmatic doctor, and Tor, a compassionate nurse, are both avoiding conventional relationships. One evening, after a blind date, Marianne encounters Tor on the ferry. Tor, who often spends his nights there seeking casual encounters with men, shares his experiences of spontaneous intimacy and meaningful conversations. Intrigued by his perspective, Marianne begins to question societal norms and explores whether such casual intimacy could also be an option for her.
Interview with Thomas Vinterberg, showrunner of "Families like ours", and actress Amaryllis August. They talk about this series being her first part in front of a camera
Beetlejuice Beetlejuice, the opening film of Venezia 81, marks the reunion between visionary director Tim Burton and star Michael Keaton
“Pooja, Sir” tells stories of discrimination in Nepal. Discover how cinema can promote empathy and understanding across communities.
Beetlejuice Beetlejuice, sequel to the 1988 iconic film by Tim Burton welcomes new characters portrayed by Monica Bellucci and Willem Dafoe.
Todd Haynes, acclaimed filmmaker behind hits like Carol and Far from Heaven, will lead the jury at the 75th Berlinale.
Self, a Pixar Sparkshort title by Searit Huluf, premiering at the Frame Future FF, is literally poetry turned into cinema
Discover “Bogancloch,” the docufilm by Ben Rivers that explores the intricate relationship between isolation and nature, inviting audiences to reflect on the human experience in a profound way.
In competition at the 24Frame Future Film Festival, Hugh Welchman with "The Peasants", a groundbreaking oil-painted animation capturing love, betrayal, and resilience in a Polish village.
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