In the ever-evolving landscape of American cinema, filmmakers find themselves navigating uncharted waters. This was the case for director Bob Byington, whose latest work, “Lousy Carter”, premiered not on home turf but across the ocean, at the prestigious Locarno Film Festival. The festival, known for its appreciation of experimental and daring cinema, proved an intriguing stage for Byington’s creation.
An unpredictable film path in the innovative Locarno Film Festival
“Locarno’s preference for innovative and audacious cinema aligns with the spirit of ‘Lousy Carter’ in unexpected ways. While not an austere or experimental work, the film offers a fresh perspective, defying traditional genre boundaries” Byington shared during our interview.
“Lousy Carter” introduces audiences to a character as unique as its festival choice. The titular Lousy, portrayed by David Krumholtz, is a failed animator turned literature professor, whose life takes an unexpected turn upon learning of his limited time left on Earth. American films often follow predictable paths when characters face such life-altering news, but Byington subverts these conventions, challenging Lousy to find meaning in his final moments.
David Krumholtz, a familiar face from his early roles to more recent appearances, tackles the role of Lousy with a nuanced touch. “David’s charm on screen is undeniable, even when portraying complex characters like Lousy. His ability to infuse sympathy into the role underscores the human struggle Lousy faces”, Byington explained.
“Locarno’s embrace of diverse storytelling and perspectives resonates with ‘Lousy Carter’s’ narrative. The film’s portrayal of Lousy’s journey to make sense of his life resonates universally, while offering a distinctive lens on the challenges of midlife reflection”, Krumholtz added.
“Every film carries its unique voice, waiting to find its audience”
The film is set in Austin, Texas, capturing the essence of academia and its eccentricities. Byington’s direction skews toward the unconventional, crafting a story that resonates with a blend of humor and existential contemplation. “Lousy Carter” navigates themes like love, regret, and the pursuit of purpose, offering a reflection on the choices we make.
As the film industry continues to evolve, Byington and Krumholtz acknowledge the shifting landscape. “While ‘Lousy Carter’ may not fit the mold of today’s cinema, it represents a moment in time. As filmmakers, we adapt to the changing tastes and preferences of audiences” Byington reflected.
Krumholtz added: “The industry’s evolution challenges us to create work that stands out and resonates with audiences. ‘Lousy Carter’ is a reminder that every film carries its unique voice, waiting to find its audience.”
With “Lousy Carter” making its mark on the international stage of the Locarno Film Festival, Byington and Krumholtz demonstrate the fluidity of storytelling, transcending boundaries and celebrating the art of cinema.
Plot
Defined by his ex as a wimp, by his mother as a failure and by his best friend as a shadow of himself, Lousy Carter - in crisis and full of debt - is drifting away. When he plays The Great Gatsby to an obnoxious graduate class, one of the students offers him one last chance to make his dreams come true.