“The Safe house”, interview with director Lionel Baier
The Safe house, in the 75th Berlinale competition, brings on the big screen La Cache by Christophe Boltanski
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“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
At the 75th Berlinale, director Huo Meng captivated audiences with “Living the Land”, a poignant and visually stunning portrait of rural China on the brink of transformation. The film, which won the Silver Bear for Best Director, delicately explores the impact of modernization on traditional life, following a young boy left behind as his parents seek work in the city.
Rather than focusing on the future, “Living the Land” turns its gaze to the past, capturing a world in transition. Huo Meng’s producer and interpreter, Zhang Fan, explains, translating the director’s words, that the film’s narrative is like a photograph: “You see thousands of years of agricultural society, and at that very specific point, things started to change, leading into a new future.”
The film’s cinematography is breathtaking, with frames reminiscent of oil paintings. This was an intentional choice to reflect the warmth of rural life in contrast to the cold, industrialized future. “The industrial sense is cold and freezing, but nature is warm,” Zhang Fan explains on behalf of Huo Meng.
While the film portrays a way of life that seems to be disappearing, Huo Meng believes that traditions still endure in meaningful ways. An example from real life: during Chinese New Year, a funeral in a village caused many returning workers to postpone their departure, honouring long-held customs of respect and community.
With its observational style, “Living the Land” often feels like a documentary. The director’s approach blends scripted storytelling with real-life traditions, capturing the emotional depth of daily life—from cooking to sewing quilts, each action filled with meaning. “Daily life itself is full of emotions,” says Zhang Fan, translating Huo Meng.
“Living the Land” is a moving reflection on family, memory, and the resilience of tradition. Through poetic visuals and intimate storytelling, Huo Meng invites us to witness a world in flux—one where the past and future exist in delicate balance.
It is 1991, and China’s socio-economic transformation is profoundly affecting the lives of individual families across the vast nation. Peasant farmers face challenges and technological advances that are radically reshaping their rural way of life. In response, ten-year-old Chuang’s parents have opted to move away to seek work in the city, leaving their third child behind to be raised by extended family and neighbours in their countryside village community. An intimate yet sprawling saga spanning four generations unfolds, navigating cycles of life through the changing of the seasons. As births and deaths, weddings and funerals take place, we witness the resilience and resourcefulness of ordinary people grappling with the burden of familial responsibility in a modernising world that is increasingly in conflict with the beliefs, traditions and codes of honour and duty they have lived by for thousands of years.
Written by: Federica Scarpa
Film
Living the LandFestival
BerlinaleThe Safe house, in the 75th Berlinale competition, brings on the big screen La Cache by Christophe Boltanski
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