“Imperium”, interview with director Sergei Loznitsa
Sergei Loznitsa, director of Imperium, at Venice 2026 on Soviet archive footage and reconstructing the history of the USSR.
Sergei Loznitsa, director of Imperium, at Venice 2026 on Soviet archive footage and reconstructing the history of the USSR.
Eklipse director Manuel Wetscher, at Venice 2026, on HIV stigma, autobiographical memory and blending fiction with VHS footage.
Michael Dweck and Gregory Kershaw talk about Burgundy, their new documentary at the Venice Film Festival 2026.
Balcanica, colonna sonora di Michele Braga, alle Giornate degli Autori di Venezia 2026: musica e rotta balcanica.
At the Venice Film Festival 2026, John Malkovich and Sam Rockwell on old friendships, fear and the shadow of Chile's history in Wild Horse Nine
Sumo: Spirit Weighs Nothing explores the sacrifices, friendships and inner battles shaping Japan’s ancient wrestling tradition.
In FALLING HOUSE (Moragheb), Mohsen Gharaei discusses a family home transformed into a prison by fear, authority and the desire for freedom.
Giornate degli Autori - Venezia
Waiting for Ken Loach di Simone Amendola, alle Giornate degli Autori a Venezia 2026: la storia di un cinema riaperto dai ragazzi di Mesagne.
Interview with Leonidas Christopoulos, CEO of EKKOMED, on the new strategy for Greek audiovisual, at Venice 2026.
Giornate degli Autori - Venezia
Roberta Torre e Barbara Ronchi raccontano Scarpe Rotte, film d'apertura di Notti Veneziane alle Giornate degli Autori 2026.
Intervista a Maria Gimenez Cavallo, regista di Les Metamorphoses, au feminin, presentato alla Settimana Internazionale della Critica di Venezia 2026.
SIC di Venezia 2026, Marco Santi e Edoardo Pesce raccontano la fame di fama e il sottile confine tra essere e apparire in Il Grande Giaffa.
Venice Immersive turns 10: curator Michel Reilhac on the evolution of immersive art, from virtual socializing to collective storytelling.
At the Venice Film Festival 2026, Martin McDonagh on two CIA agents, a doomed friendship and the shadow of Chile's 1973 coup in Wild Horse Nine
Opening Orizzonti at Venice 83 with La ragazza con la Leica, Alina Marazzi and Emilia Schüle on Gerda Taro's legacy and the courage of today's war reporters
Pascal Diot, director of Venice Production Bridge, on its 15th anniversary and new Location Market, at Venice 2026.
Opening Venice's Mostra 2026 with his festival debut, INK, Danny Boyle on the 1969 birth of The Sun, journalism as a pillar of humanity threatened by AI, and his refusal to turn Rupert Murdoch into a monster
Your daily guide to the film market at Venice Production Bridge 2026 — panels, meetings and international guests you can't miss.
Plague: Youssef Chebbi's second feature about twin brothers and a palm tree parasite in Tunisia, selected for Final Cut in Venice 2026.
Madi Makambu: Machérie Ekwa Bahango's second feature explores denied pregnancy in Kinshasa, selected for Final Cut in Venice 2026.
Rula Nasser presents "Occupational Hazards" at the Venice Film Festival 2026, exploring Palestinian family resilience through dark comedy. Click to read!
Discover the intriguing story behind A quarter to Thursday, a surreal film exploring absurdity, politics, and resilience in a world lacking common sense.
Eldorado, the taste of the South explores migration, utopia, and societal critique with humor and depth—discover this powerful, engaging film's story and production journey.
Discover how Mehal Sefari , Ethiopia's first film in 14 years at Venice, highlights a powerful story set during the Red Terror, opening doors for African cinema.
Alla Mostra di Venezia 2026, Nicolas Maupas tra l'orgoglio di rappresentare la sua generazione, il debutto da master of ceremonies e la curiosità per Bertolucci
Alla Mostra di Venezia 2026, Greta Scarano tra il ruolo di maestra di cerimonie, la scarsità di donne in concorso e l'impegno per la Palestina
Cinema dell'inclusione tra visione e formazione: Silvia Jop e Costanza Quatriglio sulla decima edizione.
A Locarno 2026, Fabio Lovino racconta l'uomo dietro il cinema di Marco Bellocchio
Jane Schoenbrun on her new film "Teenage Sex and Death at Camp Miasma": post-transition joy, 80s horror, and reclaiming the trans monster.
Atcha Atcha highlights the vibrant African dance scene and its fragile cultural roots, showcasing movement, identity, and the power of local expression.