Babak Anvari – Wounds #Cannes2019
Facing personal fears by directing an horror film.
Facing personal fears by directing an horror film.
À la lumière de la jeune fille en feu
Un courtmétrage né, dans la préparation d'un futur longmétrage, par la fascination vers un acteur non professionnel découvert dans les casting.
Fionn Whitehead's first time acting romantic.
Midi Z's first genre film attracts Quentin Tarantino's attention at the 72nd Festival de Cannes.
When an older man feeling out of place in our modern world is given an opportunity to go back to 1974, in a staged version.
Tenzo: a movie between documentary and fiction.
Dia de festa: a short movie about sadness and relationship between a mother and her daughter.
À la lumière de la jeune fille en feu.
Fighting the "easy girl" archetype with a romantic and relaxed coming of age story.
When being called "an easy girl" becomes a compliment.
A black and white cinematic poem dedicated to a father and a journalist.
Writing a genre film that becomes a #Metoo manifesto for women out there: Wu Ke-xi on becoming Nina Wu.
An overview on the Cannes Classics section and some insider info about the mechanisms of distribution and exploitation of classic films.
The experience of acting in a Ken Loach's film is a blessing, as Debbie and Kris explain in our interview.
A four-hands directed rollercoaster ride of a film, political and daring and funny and fast-paced, set in a near future, really too near...
Nature is ruling Galician mountains and the man is a guest who has to deal with this. Fire rules and threaten in a visually stunning film.
Jessica Hausner talks with FRED about her first English language film, her interest in mixing realism with irony, and the science fiction look.
Film legend Udo Kier talks about his involvement in Bacurau, his first time in Brazil and the craft of acting.
The trip back home to Russia from USA, on foot, of Lillian. Based on an incredible true story, a film of silence, strength and utter beauty.
Young LGBT+ people, a dancing love story and Georgia trying to balance tradition and modernity.
Discovering the key role of sound design in cinema masterpieces.
An ensemble film for Ira sachs, at his first time on the Cannes red carpet. A comedy, a drama, a love story, a film about love and death, family and friendship. With a prestigious cast, too.
Song Kang Ho and Lee Sun Kyun are the Bong Joon Ho's Parasites.
Un'indagine profonda sulla emotività e la psicologia di Tommaso Buscetta per andare oltre la memoria che lui aveva creato di sé.
Quello che verrà è solo un promessa: un corto di grande impatto visivo in grado di raccontare lo scorrere del tempo.
Impostare lo sguardo sull'uomo Tommaso Buscetta e non sul personaggio.
Guadagnino's first time in Cannes is with Julianne Moore at the Quinzaine des Réalisateurs.
A brilliant animated coming of age about loss and trying to give sense to life.
An honest and unfiltered look at New York through an intense gender issue free lovestory is what Danielle Lezssovitz gives us, with a powerful piece of filmmaking.