“Death Will Come”, interview with director Christoph Hochhäusler
Hochhäusler's Death Will Come dives into the dark underbelly of Brussels, where power and mortality collide in a gripping gangster thriller.
Listeners:
Top listeners:
ENGLISH Channel 01 If English is your language, or a language you understand, THIS IS YOUR CHANNEL !
ITALIAN Channel 02 Se l’italiano è la tua lingua, o una lingua che conosci, QUESTO È IL TUO CANALE!
EXTRA Channel 03 FRED Film Radio channel used to broadcast press conferences, seminars, workshops, master classes, etc.
GERMAN Channel 04 Wenn Ihre Sprache Deutsch ist, oder Sie diese Sprache verstehen, dann ist das IHR KANAL !
POLISH Channel 05
SPANISH Channel 06 Si tu idioma es el español, o es un idioma que conoces, ¡ESTE ES TU CANAL!
FRENCH Channel 07 Si votre langue maternelle est le français, ou si vous le comprenez, VOICI VOTRE CHAINE !
PORTUGUESE Channel 08
ROMANIAN Channel 09 Dacă vorbiţi sau înţelegeţi limba română, ACESTA ESTE CANALUL DUMNEAVOASTRĂ!
SLOVENIAN Channel 10
ENTERTAINMENT Channel 11 FRED Film Radio Channel used to broadcast music and live shows from Film Festivals.
BULGARIAN Channel 16 Ако българският е вашият роден език, или го разбирате, ТОВА Е ВАШИЯТ КАНАЛ !
CROATIAN Channel 17 Ako je hrvatski tvoj jezik, ili ga jednostavno razumiješ, OVO JE TVOJ KANAL!
LATVIAN Channel 18
DANISH Channel 19
HUNGARIAN Channel 20
DUTCH Channel 21
GREEK Channel 22
CZECH Channel 23
LITHUANIAN Channel 24
SLOVAK Channel 25
ICELANDIC Channel 26 Ef þú talar, eða skilur íslensku, er ÞETTA RÁSIN ÞÍN !
INDUSTRY Channel 27 FRED Film Radio channel completely dedicated to industry professionals.
EDUCATION Channel 28 FRED Film Radio channel completely dedicated to film literacy.
SARDU Channel 29 Si su sardu est sa limba tua, custu est su canale chi ti deghet!
“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
Interview with producer Stacey Sher, Raimondo Rezzonico Award Federica Scarpa
At the Locarno Film Festival, Stacey Sher, a renowned producer behind iconic films like Pulp Fiction and Erin Brockovich, received the prestigious Raimondo Rezzonico Award. In an insightful interview, Sher reflects on her illustrious career, the changing film industry, and the future of cinema.
Stacey Sher’s early works, including Pulp Fiction and Get Shorty, played a pivotal role in shaping American cinema in the 90s. “It was fun,” she recalls of the time, though she admits, “neither of those movies were particularly easy to get made. We weren’t expecting to still be talking about them now.”
Stacey Sher also produced generational touchstones like Reality Bites and Garden State, both of which resonated deeply with their audiences. Reflecting on Reality Bites, Sher shares how the project evolved, noting, “It originally grew from a story idea—a ‘Big Chill’ for people in their 20s.” She credits Ben Stiller’s directorial debut with crystallizing the story, particularly when he decided to make his character a peer of the others rather than an older figure.
For Garden State, Sher highlights how the project was championed by Pam Abdy, then-president of Jersey Films. “Pam said, ‘This is my life. This is me.’ Our philosophy was to trust each other’s taste and back each other,” Stacey Sher explains, showcasing the collaborative spirit that defined her work.
Sher has a knack for identifying and nurturing talent, having worked with first-time directors like Ben Stiller and Zach Braff. “If you choose well, a directorial debut is fun, exciting, and collaborative,” she says. Sher emphasizes the importance of supporting filmmakers as they find their voice, noting that both Stiller and Braff had honed their craft through previous work, making them ready for the challenges of directing.
Throughout her career, Stacey Sher has produced a wide range of films, from Pulp Fiction by Quentin Tarantino to Out of Sight by Steven Soderbergh. When asked if there’s a common thread in her work, she reflects, “I’ve made very intuitive decisions based on what I love, which is informed by the films and filmmakers I grew up loving.” Sher’s intuitive approach and deep love for cinema have resulted in a body of work that continues to impact the industry.
As one of the industry’s leading female producers, Sher has witnessed significant changes in the role of women in film. “There are definitely more of us now,” she observes, pointing to the increasing number of female executives in the industry. This shift reflects broader changes in an industry that has traditionally been male-dominated.
Stacey Sher remains optimistic about the future of cinema, even as digital media and streaming services reshape the industry. “Contrary to all the obituaries that were written for the cinema, it still seems to be healthy,” she asserts. Sher believes that audiences still enjoy the theater experience, and that cinema will continue to evolve, accommodating both large-format spectacles and more intimate films.
When asked what advice she would give to her younger self, just starting out in the industry, Sher’s response is succinct and powerful: “Get over the need to be liked.” This advice reflects the resilience and confidence that have driven her successful career, and maybe it’s a great reminder for all of us, especially nowadays.
Written by: Federica Scarpa
Ben Stiller Garden State Quentin Tarantino Reality Bites Steven Soderbergh Zach Braff
Guest
Stacey SherFestival
Locarno Film FestivalHochhäusler's Death Will Come dives into the dark underbelly of Brussels, where power and mortality collide in a gripping gangster thriller.
Edgar Pêra’s Telepathic Letters blends AI-generated visuals with the philosophies of Lovecraft and Pessoa, creating a unique cinematic experience.
todayAugust 16, 2023 6
Explore the raw truth of migrant existence as director Sylvain George unravels their journey in "Obscure Night - Goodbye here, anywhere" (Nuit obscure - Au rétori ici, n'importe où) at Locarno Film Festival.
Todd Haynes, acclaimed filmmaker behind hits like Carol and Far from Heaven, will lead the jury at the 75th Berlinale.
Self, a Pixar Sparkshort title by Searit Huluf, premiering at the Frame Future FF, is literally poetry turned into cinema
Discover “Bogancloch,” the docufilm by Ben Rivers that explores the intricate relationship between isolation and nature, inviting audiences to reflect on the human experience in a profound way.
In competition at the 24Frame Future Film Festival, Hugh Welchman with "The Peasants", a groundbreaking oil-painted animation capturing love, betrayal, and resilience in a Polish village.
© 2023 Emerald Clear Ltd - all rights reserved.