New Horizons International Film Festival
Agata Budzynska – New Horizons Summer Academy #nowehoryzonty
You have to teach the teachers before they teach the students
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ENGLISH Channel 01 If English is your language, or a language you understand, THIS IS YOUR CHANNEL !
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ITALIAN Channel 02 Se l’italiano è la tua lingua, o una lingua che conosci, QUESTO È IL TUO CANALE!
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EXTRA Channel 03 FRED Film Radio channel used to broadcast press conferences, seminars, workshops, master classes, etc.
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GERMAN Channel 04 Wenn Ihre Sprache Deutsch ist, oder Sie diese Sprache verstehen, dann ist das IHR KANAL !
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POLISH Channel 05
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SPANISH Channel 06 Si tu idioma es el español, o es un idioma que conoces, ¡ESTE ES TU CANAL!
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FRENCH Channel 07 Si votre langue maternelle est le français, ou si vous le comprenez, VOICI VOTRE CHAINE !
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PORTUGUESE Channel 08
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ROMANIAN Channel 09 Dacă vorbiţi sau înţelegeţi limba română, ACESTA ESTE CANALUL DUMNEAVOASTRĂ!
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SLOVENIAN Channel 10
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ENTERTAINMENT Channel 11 FRED Film Radio Channel used to broadcast music and live shows from Film Festivals.
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BULGARIAN Channel 16 Ако българският е вашият роден език, или го разбирате, ТОВА Е ВАШИЯТ КАНАЛ !
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CROATIAN Channel 17 Ako je hrvatski tvoj jezik, ili ga jednostavno razumiješ, OVO JE TVOJ KANAL!
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LATVIAN Channel 18
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DANISH Channel 19
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HUNGARIAN Channel 20
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DUTCH Channel 21
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GREEK Channel 22
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CZECH Channel 23
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LITHUANIAN Channel 24
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SLOVAK Channel 25
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ICELANDIC Channel 26 Ef þú talar, eða skilur íslensku, er ÞETTA RÁSIN ÞÍN !
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INDUSTRY Channel 27 FRED Film Radio channel completely dedicated to industry professionals.
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EDUCATION Channel 28 FRED Film Radio channel completely dedicated to film literacy.
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SARDU Channel 29 Si su sardu est sa limba tua, custu est su canale chi ti deghet!
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“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
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Industry – Channel 27
Doris Pack – LUX Prize #KVIFF2015
Introducing the 2015 edition of the LUX Prize, from Karlovy Vary, which hosted once again the unveiling of its shortlisted films.
Patrick Zabalbeascoa – Pompeu Fabra University #Flame2015
Audiovisual richness, audiovisual literacy.
Kieran Donaghy – Using Film to Teach Languages in a World of Screens #Flame2015
An analysis and a guidance on using moving images creatively in language teaching in the era of digital revolution
An analysis and a guidance on using moving images creatively in language teaching in the era of digital revolution
Isabelle Vanderschelden – Manchester Metropolitan University #Flame2015
Dr Vanderschelden describes the initiatives of two Research Groups (FLAME and FILTA) at Manchester Metropolitan University
Ilaria Brancatelli – Film and media in the classroom as accelerated language learning experience #Flame2015
Dr Brancatelli talks about her multidisciplinary teaching approach and about the effectiveness of the use of film and media to accelerate the learning process.
Jennifer Lertola, Noa Talaván – Clipflair #Flame2015
Clipflair, an online platform meant to enable foreign language learning through interactive revoicing and captioting of clips.
Carmen Herrero – Manchester Metropolitan University #Flame2015
Dr Herrero describes the initiatives of two Research Groups (FLAME and FILTA) at Manchester Metropolitan University
Brian Tomlinson – MATSDA #Flame2015
Dr Tomlinson talks about his personal experience in teaching and using audiovisual input in the language classroom worlwide.
Dr Tomlinson talks about his personal experience in teaching and using audiovisual input in the language classroom worlwide.
Maros Brojo – Fest Anca International Animation Festival #FestAnca
Next Stop: Fest Anca, Zilina
Int'l Symposium "Respeaking - Live Subtitling - Accessibility"
Roxana Widmer-Iliescu – ITU Development Bureau #SymposiumRespeaking
What can the Telecommunication Development Sector do to grant Information and Communication Technologies Accessibility in developing countries?
Int'l Symposium "Respeaking - Live Subtitling - Accessibility"
Robin Ribback – VerbaVoice #SymposiumRespeaking
Can respeaking, dictation softwares, technology provide a work environment for people who are disabled themselves?
Int'l Symposium "Respeaking - Live Subtitling - Accessibility"
Pilar Orero – Universitat Autònoma de Barcelona #SymposiumRespeaking
HBB4All es un proyecto europeo de convergencia de televisión con Internet.
Int'l Symposium "Respeaking - Live Subtitling - Accessibility"
Gion Linder – Swiss TXT #SymposiumRespeaking
How do you focus on quality for live subtitling on television?
Int'l Symposium "Respeaking - Live Subtitling - Accessibility"
Agnieszka Szarkowska, Łukasz Dutka – Respeaking #SymposiumRespeaking
Do interpreters make better speakers?
Int'l Symposium "Respeaking - Live Subtitling - Accessibility"
Amela Odobasic – Communications Regulatory Agency of Bosnia and Herzegovina #SymposiumRespeaking
The current state of cultural accessibility in developing countries and in Bosnia and Herzegovina.
Terezie Krizkovska – NaFilm: National Film Museum #NaFilm
From June to October, an exhibition of Czech film is taking place at Museum Montanelli in Prague. But the project has a greater goal.
Marina Shine – Audi Festival of German Films #OzFilmFest
One of the directors of the Audi Festival of German Films tells us about its 2015 edition.
Nashen Moodley – Sydney Film Festival #SydFilmFest
Sydney Film Festival's director tells us everything you need to know about the 2015 edition!
NEXT – Johanna Koljonen, Jarod Neece, Jakub Duszynski and Josef Kullengård #Cannes2015
An extract from the NEXT panel entitled "New Initiatives by Film Festivals for the Future of Cinema"
Jerome Paillard – Marché du Film #Cannes2015
The Marché du Film NEVER stops investigating on the future of film.
Alberto Guilbert – Digital Film Cloud Network #Cannes2015
The movie rights marketplace
The past, the present and the future of VOD services around the world #Cannes2015
In this extract representatives from Eurovod, Filmdoo, Wuaki.tv and OnlineColombia share their different strategies to compete with "the Big 5" within the digital and video-on-demand markets all over Europe and the world. Exclusive and quality content, local films, independent or …
Cinema Innovation in the Digital Experience Economy #Cannes2015
In this extract, Madeleine Probst, Ivo Andrle, Tim League and Gonzalo Lamela presented their respective companies - Watershed (UK), Kino Aero (Czech Republic), Drafthouse Films (UK) and Ecocinema (Uruguay). Plot: Sampomedia's Michael Gubbins moderated this panel on how to make …
Viktoria Tigipko – Odessa International Film Festival #Cannes2015
A talk with the President of the Odessa International Film festival, in the year of its 6th edition, the one after last year's crisis.
Maximize the Potential of Crowdfunding in the Production Process #Cannes2015
NEXT brought together five key speakers on crowdfunding for a long meeting with film professionals in Cannes.
Next – Cinema Innovation in the Digital Experience Economy #Cannes2015
Moderator: Michael Gubbins, Founder, Sampomedia. Speakers: Madeleine Prost, Cinema Programme Producer, Watershed, Ivo Andrie, Acquisition Manager, Aerofilms, Gonzalo Lamela, Executive Director, Ecocinema, Tim League, CEO, Drafthouse Films. Next - Cinema Innovation in the Digital Experience Economy - Marche du Film from Fred Film Radio on Vimeo.
Moderator: Michael Gubbins, Founder, Sampomedia. Speakers: Madeleine Prost, Cinema Programme Producer, Watershed, Ivo Andrie, Acquisition Manager, Aerofilms, Gonzalo Lamela, Executive Director, Ecocinema, Tim League, CEO, Drafthouse Films. Next - Cinema Innovation in the Digital Experience Economy - Marche du Film from …
Pierre Cattan, Hasmik Hovhannisyan, Charles-Stéphane Roy, Frédéric Puech & Torsten Gauger – Cinema and Transmedia pitching session #Cannes2015
This is an extract of the Cinema and Transmedia pitching session, organised by the Cannes Film Market and Cross Video Days. Plot: Pierre Cattan's Metamorphoses, Hasmik Hovhannisyan's A Song For Nola, Charles-Stéphane Roy's VFC, Frédéric Puech's film on Dofus and …
Ted Sarandos – Netflix Chief Content Officer #Cannes2015
Netflix Chief Content Officer talks the evolution and the philosophy behind the SVOD giant, discusses media chronology and delivered some predictions about film consumerism.
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