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EXTRA Channel 03 FRED Film Radio channel used to broadcast press conferences, seminars, workshops, master classes, etc.
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ENTERTAINMENT Channel 11 FRED Film Radio Channel used to broadcast music and live shows from Film Festivals.
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BULGARIAN Channel 16 Ако българският е вашият роден език, или го разбирате, ТОВА Е ВАШИЯТ КАНАЛ !
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ICELANDIC Channel 26 Ef þú talar, eða skilur íslensku, er ÞETTA RÁSIN ÞÍN !
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INDUSTRY Channel 27 FRED Film Radio channel completely dedicated to industry professionals.
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EDUCATION Channel 28 FRED Film Radio channel completely dedicated to film literacy.
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SARDU Channel 29 Si su sardu est sa limba tua, custu est su canale chi ti deghet!
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“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
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"Hollywood gate", interview with director Ibrahim Nash’at and producer Shane Boris Ilaria Gomarasca
Director Ibrahim Nash’at and producer Shane Boris talk about the documentary “Hollywood gate” screening Out of Competition at the 80th Venice International Film Festival.
The day after the US withdrawal from Afghanistan, the Taliban immediately moved to occupy the Hollywood Gate complex, claimed to be a former CIA base in Kabul. The Taliban found what the most technologically advanced military in history left behind: aircraft, weapons, and valuable military equipment. Baffled by the technology, Malawi Mansour, the newly assigned Air Force commander, orders his soldiers to inventory and repair everything they can. Mukhtar, motivated to one day conquer the world, arrives at Hollywood Gate aiming to build a high-ranking military career.
While Malawi Mansour and Mukhtar are focused on maximizing their own personal objectives, their comrades continue to repair the weapons left behind at Hollywood Gate. AK-47s that were once used by the US and NATO are now in the hands of the Taliban; helicopters and fighter jets that were thought to be destroyed now lethally bomb the opposition, creating untold collateral damage in the process; and the use of international documentarians for the purposes of propaganda is now underway.
Over the course of one year, the film exposes the transformation of a fundamentalist militia into a military regime.
"As a child, I was exposed to many who saw the Taliban as heroes. In my adolescence I questioned this belief, and it led me to journalism. Since then, I have worked across the Middle East and Europe filming world leaders. Most of these people were men who merely wanted me to be a spokesperson for their perspective and an amplifier of their message.
When the Taliban came to power (again), I was stunned. What would happen to the people of Afghanistan? It haunted me. Because of my background and professional experiences, I wondered if I could gain access to the Taliban. If so, this time I would show the world what they wanted me to see and, more importantly, what I saw."
Ibrahim Nash’at
Explore Céline Sciamma's remarkable journey through cinema and her unique approach to storytelling in our exclusive interview about This is How a Child becomes a poet. Discover the transformative power of her films, from "Water Lilies" to "Portrait of a …
Interview with Kirk Petruccelli, production designer of "The Caine Mutiny Court-Martial", a new version of the classical play directed for the screen by the late William Friedkin
Todd Haynes, acclaimed filmmaker behind hits like Carol and Far from Heaven, will lead the jury at the 75th Berlinale.
Self, a Pixar Sparkshort title by Searit Huluf, premiering at the Frame Future FF, is literally poetry turned into cinema
Discover “Bogancloch,” the docufilm by Ben Rivers that explores the intricate relationship between isolation and nature, inviting audiences to reflect on the human experience in a profound way.
In competition at the 24Frame Future Film Festival, Hugh Welchman with "The Peasants", a groundbreaking oil-painted animation capturing love, betrayal, and resilience in a Polish village.
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