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ENGLISH Channel 01 If English is your language, or a language you understand, THIS IS YOUR CHANNEL !
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ITALIAN Channel 02 Se l’italiano è la tua lingua, o una lingua che conosci, QUESTO È IL TUO CANALE!
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EXTRA Channel 03 FRED Film Radio channel used to broadcast press conferences, seminars, workshops, master classes, etc.
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GERMAN Channel 04 Wenn Ihre Sprache Deutsch ist, oder Sie diese Sprache verstehen, dann ist das IHR KANAL !
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POLISH Channel 05
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SPANISH Channel 06 Si tu idioma es el español, o es un idioma que conoces, ¡ESTE ES TU CANAL!
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FRENCH Channel 07 Si votre langue maternelle est le français, ou si vous le comprenez, VOICI VOTRE CHAINE !
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PORTUGUESE Channel 08
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ROMANIAN Channel 09 Dacă vorbiţi sau înţelegeţi limba română, ACESTA ESTE CANALUL DUMNEAVOASTRĂ!
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SLOVENIAN Channel 10
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ENTERTAINMENT Channel 11 FRED Film Radio Channel used to broadcast music and live shows from Film Festivals.
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BULGARIAN Channel 16 Ако българският е вашият роден език, или го разбирате, ТОВА Е ВАШИЯТ КАНАЛ !
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CROATIAN Channel 17 Ako je hrvatski tvoj jezik, ili ga jednostavno razumiješ, OVO JE TVOJ KANAL!
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DUTCH Channel 21
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GREEK Channel 22
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CZECH Channel 23
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LITHUANIAN Channel 24
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SLOVAK Channel 25
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ICELANDIC Channel 26 Ef þú talar, eða skilur íslensku, er ÞETTA RÁSIN ÞÍN !
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INDUSTRY Channel 27 FRED Film Radio channel completely dedicated to industry professionals.
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EDUCATION Channel 28 FRED Film Radio channel completely dedicated to film literacy.
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SARDU Channel 29 Si su sardu est sa limba tua, custu est su canale chi ti deghet!
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“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
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"Gasoline Rainbow", interview with directors Bill and Turner Ross Sarah Bradbury
The roots of “Gasoline Rainbow” began during lockdown. As we all yearned for freedom, directing duo Bill and Turner Ross began to wonder who must be feeling that yearning more acutely than the younger generation, and their ideas for a film began to accumulate under “Episodes of Delinquency”.
After casting five first-time teenage actors from skate parks and other city spaces, they encouraged their personalities and characters to drive the story, with only a very loose outline of a script and various scenarios on a trip across the American West through deserts and industrial backwaters to the Pacific Coast, allowing them to tell their own story on their own terms. What they found was far less full of delinquency and cynicism than they had imagined, but rather a group full of curiosity and excitement about the world, a snapshot of a generation more open and inclusive than those who’ve gone before.
Despite the precariousness of many of the moments captured, with each day of the shoot like “threading a needle”, the Ross brothers shared how they became like a family, supporting each other in the face of many a wild escapade.
The gritty and punk rock-edged film populated with outsiders and misfits doesn’t shy away from the flaws of modern-day America, with stories of unstable homes, addiction and troubled live on the margins peppered throughout, but through the eyes of those coming-of-age, there’s a brimming sense of hope and optimism about the future and the American Dream, as Turner Ross put it: “If you told them the frontier was dead, the dream was no more, they would argue against that and still find their own. It’s what we’ve all done for generations.”
With high school in the rearview, five teenagers from small-town Oregon decide to embark on one last adventure. Piling into a van with a busted tail light, their mission is to make it to a place they’ve never been—the Pacific coast, five hundred miles away. Their plan, in full: “Fuck it.” By van, boat, train, and foot, their improvised odyssey takes them through desert wilderness, industrial backwaters, and city streets. Along the way, they encounter outsiders from the fringes of the American West and discover that the contours of their lives will be set by trails they blaze themselves. They are forgotten kids from a forgotten town, but they have their freedom and they have each other, hurtling toward an unknowable future—and The Party at the End of the World.
Oscar-nominated Bosnian showrunner Jasmila Žbanić on series "I Know Your Soul", the real-life suicide case behind the story, subverting stereotypes with her female lead and the series' central theme of the importance of family and communication.
Actor-turned-director Jack Huston on the making of his directorial debut "Day of the Fight", casting Michael Pitt, and its tale of redemption.
Explore the complexities of Hungarian youth in Gábor Reisz's 'Explanation for Everything,' a film that defies political stereotypes.
"Hollywood gate" a former American military base now in the hands of the Taliban.
Una Terapia di Gruppo, al cinema dal 21 Novembre, racconta con la commedia, le ossessioni del nostro tempo
Todd Haynes, acclaimed filmmaker behind hits like Carol and Far from Heaven, will lead the jury at the 75th Berlinale.
Self, a Pixar Sparkshort title by Searit Huluf, premiering at the Frame Future FF, is literally poetry turned into cinema
Discover “Bogancloch,” the docufilm by Ben Rivers that explores the intricate relationship between isolation and nature, inviting audiences to reflect on the human experience in a profound way.
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