At the 26th edition of the Far East Film Festival in Udine, I had the opportunity to delve into a thought-provoking conversation with Sasha Chuk, the talented director behind “Fly Me to the Moon“. This poignant film tackles a myriad of complex themes, including immigration, poverty, addiction, and family dynamics, all while maintaining a delicate balance of realism and empathy.
Sasha Chuk’s approach to navigating such sensitive topics is deeply rooted in her personal experiences and observations. She revealed that the heart of the film lies in the intricate relationship between the two sisters, particularly their tumultuous connection with their father. This central focus allowed Sasha Chuk to explore the multifaceted dynamics of family life with nuance and authenticity.
Drawing from her own upbringing as an immigrant who moved to Hong Kong at a young age, Sasha Chuk infused the film with a sense of authenticity and universality. She wanted to challenge stereotypes and stigma surrounding the immigrant experience, shedding light on the common struggles and triumphs faced by individuals navigating cultural and societal barriers.
The portrayal of drug addiction within the film adds another layer of complexity to the narrative, providing insight into the inner turmoil and external pressures faced by the characters. Sasha Chuk‘s decision to include this element was a deliberate one, intended to deepen the audience’s understanding of the characters’ motivations and challenges.
One of the most remarkable aspects of “Fly Me to the Moon” is its ability to span multiple decades, offering a poignant glimpse into the evolution of the characters and their relationships over time. Sasha Chuk masterfully navigates these temporal shifts, weaving together a rich tapestry of memories, emotions, and experiences that resonate long after the credits roll.
Throughout our conversation, Sasha Chuk emphasized the importance of capturing intimate moments shared by the family, even amidst the hardships they face. Scenes like the playful ketchup lipstick or the quiet elevator ride serve as poignant reminders of the resilience and humanity that lie at the core of the characters’ journeys.
Chuk’s hope for “Fly Me to the Moon” extends far beyond the borders of Hong Kong. She envisions the film sparking meaningful conversations and resonating with audiences around the world, regardless of their background or experiences. By shining a light on universal themes of identity, belonging, and resilience, Chuk invites viewers to reflect on their own lives and the connections that bind us all together.
In conclusion, my conversation with Sasha Chuk provided a fascinating glimpse into the creative process behind “Fly Me to the Moon” and the profound themes it explores. Through her thoughtful storytelling and deeply personal approach, Sasha Chuk has crafted a film that speaks to the human experience in all its complexity and beauty.
Plot
The film tells the story of an immigrant family over the course of 20 years in three acts. In 1997 little Lin Tsz-yuen, just eight years old, arrives in Hong Kong to reunite with her father, Min her (a brilliant Wu Kang-ren). Not only does Yuen have to face her own difficulties related to her being a foreigner who doesn't speak a word of Cantonese, but Min is also a drug addict and a thief, who will spend his life in and out of prison.