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ENGLISH Channel 01 If English is your language, or a language you understand, THIS IS YOUR CHANNEL !
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ITALIAN Channel 02 Se l’italiano è la tua lingua, o una lingua che conosci, QUESTO È IL TUO CANALE!
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EXTRA Channel 03 FRED Film Radio channel used to broadcast press conferences, seminars, workshops, master classes, etc.
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GERMAN Channel 04 Wenn Ihre Sprache Deutsch ist, oder Sie diese Sprache verstehen, dann ist das IHR KANAL !
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POLISH Channel 05
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SPANISH Channel 06 Si tu idioma es el español, o es un idioma que conoces, ¡ESTE ES TU CANAL!
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FRENCH Channel 07 Si votre langue maternelle est le français, ou si vous le comprenez, VOICI VOTRE CHAINE !
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PORTUGUESE Channel 08
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ROMANIAN Channel 09 Dacă vorbiţi sau înţelegeţi limba română, ACESTA ESTE CANALUL DUMNEAVOASTRĂ!
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SLOVENIAN Channel 10
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ENTERTAINMENT Channel 11 FRED Film Radio Channel used to broadcast music and live shows from Film Festivals.
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BULGARIAN Channel 16 Ако българският е вашият роден език, или го разбирате, ТОВА Е ВАШИЯТ КАНАЛ !
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CROATIAN Channel 17 Ako je hrvatski tvoj jezik, ili ga jednostavno razumiješ, OVO JE TVOJ KANAL!
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LATVIAN Channel 18
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DANISH Channel 19
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HUNGARIAN Channel 20
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DUTCH Channel 21
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GREEK Channel 22
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CZECH Channel 23
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LITHUANIAN Channel 24
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SLOVAK Channel 25
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ICELANDIC Channel 26 Ef þú talar, eða skilur íslensku, er ÞETTA RÁSIN ÞÍN !
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INDUSTRY Channel 27 FRED Film Radio channel completely dedicated to industry professionals.
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EDUCATION Channel 28 FRED Film Radio channel completely dedicated to film literacy.
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SARDU Channel 29 Si su sardu est sa limba tua, custu est su canale chi ti deghet!
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“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
Damon Maulucci, Co-director, co-writer and co-producer, Detonator. FRED's Matt Micucci meets DAMON MAULUCCI, who directed wrote and produced the film DETONATOR with Keir Politz. The film had its European Premiere at the 59th Cork Film Festival. Damon talks to us about character driven stories, the challenges of working on a tight schedule mostly made up of night shoots and the importance of the element of punk rock as a backdrop …
Matt Hulse, Director, Dummy Jim FRED's Matt Micucci meets filmmaker Matt Hulse, who presented his film DUMMY JIM at the 59th Cork Film Festival. He talked about the challenges of representing the deaf mute community in his film, how he came across the figure of James Duthie and also tells us about the key element of the journey in his film - which took him 13 years to complete. DUMMY …
Colm McAuliffe, Senior programmer and live music curator, Cork Film Festival. FRED's Matt Micucci meets COLM McAULIFFE, senior programmer and curator of the 59th Cork Film Festival who tells us about the short films programme at this year's edition of the festival and also gives us an overview of the priceless opportunities the film festival offers filmmakers presenting their works here, not just with screenings but through industry and networking …
Frauke Finsterwalder, Filmmaker, Finsterworld. FRED's Matt Micucci chats with filmmaker Frauke Finsterwalder on her narrative feature film debut FINSTERWORLD, which is screening at the 59th Cork Film Festival. She talks to us about how for this film she built a whole microcosm, how she was influenced by fairytales and her use of dark comedy to deal with some dark and intense themes and issues. This is the story of a …
Partick Ryan, Filmmaker - Emma Eliza Regan and Emma Willis, Actresses - Darkness On the Edge of Town FRED's Matt Micucci meets filmmaker Patrick Ryan and actresses Emma Eliza Regan and Emma Willis to talk about their feature DARKNESS ON THE EDGE OF TOWN, moments after its screening at the 59th Cork Film Festival. They talk about shooting a modern western in County Kerry with an extremely limited budget, the Shakespearean …
Celyn Jones - Actor and co-writer - Set Fire to the Stars FRED's Matt Micucci meets CELYN JONES, actor and co-writer of the film SET FIRE TO THE STARS, in which he performs the role of the great poet Dylan Thomas, that had its Irish premiere at the 58th Cork Film Festival. Celyn tells us about how the process of painting a more human picture of Dylan Thomas, how the …
