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“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
PODCAST | Cristiana Palmieri interviews Eva Vitija, Alina Grigore, and Tea Lindeburg, respectively directors and screenwriters of the films Loving Highsmith, Blue moon and As in heaven.
Following the very engaging panel discussion “Women in film” at the Sydney Film Festival Hub, FRED interviewed the three panellists, Eva Vitija, Alina Grigore and Tea Lindeburg, directors and screenwriters of, respectively, Loving Highsmith, Blue Moon and As in heaven. The three filmmakers explore and discuss themes emerging in their works, including gender equity in filmmaking, the role of education in making women pursue their dreams, portraying male characters from a female perspective, and much more.
Eva, Alina and Tea talk about their films presented at the festival and the strong female characters they have depicted: Texan novelist Patricia Highsmith in Loving Highsmith, 22-year-old Irina trapped in her countryside Romanian life in Blue Moon, and teenager Lise in 19th century countryside Denmark who aspires to go to boarding school in As in heaven.
To discover more, click here.
Barbara Allen with her film "House Music: A Cultural Evolution" paints a clear picture of the birth of a genre that is still rocking the dancefloors, and that in Chicago found a second prolific home to develop and evolve.
Kesmat El Sayed, one of the speakers on a panel on Arab Cinema, held in the frame of the World Cinema Fund days at the Berlinale 2025, is a producer from Egypt, based in Germany, who explains the difficult work …
Emma Barboni, film commissioner of the Emilia Romagna Film Commission, tells us about the production of the film "Paternal Leave" by Alissa Jung, presented in the Generation section of the Berlinale, and also about the new funds available for film …
Gemma Lynch is the Head of Production of Sardinia film Commission. She has been at the European film Market bringing a huge delegation of professionals from the region to navigate inside the European Film Market to be known and to …
