Abdelhamid Bouchnak – Dachra #Venezia75
A Tunisian horror is the closing film of the Venice International Critics Week.
A Tunisian horror is the closing film of the Venice International Critics Week.
The clash between nature and progress, through the fight of a man to preserve the forest where he lives.
A tribute to cinema and the different kinds of love for it.
A portrait of the criminal underworld.
The issue of copyright across the European Union was the centre of a quarrel on a European law to be discussed (and it passed just yesterday).
A night where everything could change.
Set in the early 1980's, the film tells the story of John DeLorean through his friendship with charming ex-con turned FBI informant, Jim Hoffman.
Recovered almost 90 years after being shot, archive materials are put together in order to reconstruct one of Stalin's regime fake trials.
The young Clare, after a tragic incident, chases a British soldier through the wilderness in Tasmania.
On humanity, above all.
Inspired by the nameless, voiceless bodies of refugees.
Zahler and Vaughn together again, after the success of "Brawl in Cell Block 99".
A guerrilla documentary about Syrian war. 450 hours of footage, two years of shooting, and far too many deaths.
A civilization on the eve of its downfall.
José is a young man living in Guatemala. Amidst violence and poverty, he faces life and the challenges of being gay.
A film about imprisonment.
A study into the Utoya and Oslo terrorist attacks in Norway, back in 2011. The film follows one of the victims' recovery and the trial on the murderer.
A western in English for Jacques Audiard.
Two men lost in a 18th century women's world.
Brush your teeth, folks.
A documentary on Austin Eversole's crime, with the actual protagonists of the terrible story.
A young German boy wants to be an artist after the Second World War.
Witnessing time and reality.
The great documentary filmmaker tries to understand Steve Bannon.
A popstar rise, over 20 years of American history, a depiction of modern globalized society with its violence and social media frenzy.
Dafoe is Van Gogh in Julian Schnabel's latest film.
The final days of a series of women on death row in the United States.
Nigerian sex workers in Europe looking for better life.
Two films about reconciliation and the weight of guilt. The first is a poetic song to humankind; the second is a comedy depicting a live capital.