Agnieszka Holland – Mr. Jones #Berlinale2019
Polish film director Agnieszka Holland on Holodomor, corrupt media and George Orwell.
Polish film director Agnieszka Holland on Holodomor, corrupt media and George Orwell.
Playing an hideous character without judging her: Valerie Pachner on her role in Marie Kreutzer's film.
A quick EFM chat with: Renate Ranzi and Birgit Oberkofler.
Actor Stephan James on love, racial injustice and black masculinity in Barry Jenkins' screen adaptation of James Baldwin novel If Beale Street Could Talk.
The fascinating world of Film Translation.
Let's meet the President of the Vallée d'Aoste Film Commission at the European Film Market in Berlin.
The Emilia Romagna Film Commission at the European Film Market, through the words of Emma Barboni.
A delicate coming of age with a strong insight on the rising of Right-wing populism in Finland.
A ghost town as a metaphor for a little ordinary xenofobia.
Australian documentary-maker Damon Gameau tells us about the making of his delightfully creative and eye-opening film envisioning how our world may look in 2040.
The tale of an impossible but inevitable love, in a society that urges you to conform. A tale in three parts for an intense and surprising film.
The two lead actresses (of the three) of Flatland tell us the work done to build their characters and the journey that the film has been for them.
A doc about landless workers in Brazil, and their old traditions and fights, facing the new right-wing government recent threats.
A talk with Jenna Bass, director of Flatland, about thriller, western and female empowerement.
Belgian director Bas Devos speaks to us about his second feature Hellhole aiming to capture a fractured Brussels in the wake of the 2016 terror attacks.
German director Angela Schanelec discusses her non-conventional approach to filmmaking in I Was At Home, But.
Chinese film director Wang Xiaoshuai spoke with us about the capturing three decades of his country's history through a personal tale of loss in his film.
A poetic journey through a man's life among the wild nature.
A fun ride, tinted in black and neon lights.
We are all Petrunya.
Living more than one life within one.
German film director Nora Fingscheidt tells us why she wanted to make a film about a wild little girl.