Liu Jian – Art College 1994 #Berlinale2023
With his Art College 1994 the animator Liu Jian returns to competition at the Berlinale.
With his Art College 1994 the animator Liu Jian returns to competition at the Berlinale.
A parable on racism and de-colonisation, with astounding locations that serve a strong message of empowerment and pride.
First time ever on screen, Muwajemi Hussein tells us about this demanding performance and her feelings towards it..
A music documentary on klezmer music becomes a road movie and a love story in the filmmaker duo Leandro Koch, Paloma Schachmann's new work.
Basque director Estibaliz Urresola Solaguren’s debut feature is a tale about the search for identity and the importance of family.
David Zonana’s Heroico unveils how violence and toxic masculinity is still systemic in nowadays Mexico.
Petzold brings to the Berlinale competition the second chapter of his trilogy started with Undine. Afire is an enchanting but yet concrete tale on human relations and the poetics of love.
Second time director Lila Avilés portrays the "everything" of life in Totem, in competition at the 73rd Berlinale.
Rogowski and italian directors: the perfect match.
From the novel by Joachim Meyerhoff, the new film by Sonja Heiss, about how a family works (or doesn't).
The incredible journey of the young Suzume in search of her past through an often forgotten Japan.
A journey to learn to open up to others and to the world.
The next life of a parent is their child.
A rare Yemenite film about abortion on the backdrop of the civil war.
Zhang Lu describes life under the shadow of the White Pagoda in vibrant Bejing.
When facing the pain of loss opens you up to a great adventure.
Protagonists of Angela Schanelec's Music talk about the wise freedom the director gave them in this Oedipus myth transposition to the big screen.
A journey to a remote village in Mexico to rediscover small big universal truths.
At the 73rd Berlinale, a 'special hybrid film' between live- action and animation to narrate a dystopian future that feels as close and real as ever.
The European Film Market is happy to come back with a in-person edition after 2 online years.
Artistic Director of the Berlinale, Carlo Chatrian on the 23rd edition: "Looking forward to sharing the full festival experience as we did in the past"
With his magnetic and disquieting look at the world in Knock at the cabin, Shyamalan proves us, through an apocalypse, that human beings are all connected, whether we like it or not.
Award winning screenwriter Elma Tataragić talks about her masterclass at the 34th Trieste Film Festival
The birth of the Non-Aligned Movement, through the camera of the cameraman of Yugoslav president Tito, Stevan Labudović.
The horror of war and a dream that takes you home to tell about it.
The incredible story of Aurora Mardiganian, a survivor of the Armenian genocide, and the star of a long-lost Hollywood film.
After winning three awards in the Locarno's Cineasti del Presente competition this summer, Juraj Lerotić lands in competition at the 34th Trieste Film festival with his autobiographical debut film "Safe Place".
"Loving cinema in all its aspects, even the its dark side". Damien Chazelle declares his love for cinema, even when it's a Babylon.
The European cinema I'm proud to be part of: Lukas Dhont presents Close to the italian audience and talks about being proudly part of European directors.
A first feature film which is, at the same time, an enchanting and nostalgic look at a father-daughter relationship and a delicate coming-of-age.