Building the world before constructing the plot for Steven Spielberg's "Minority Report"
Laura Tonke gave it all: the intensity of playing Hedi
Risking it with Hedi: Sonja Heiss and her brave new feature
A gay youth club in the most reactionary and religious city of the US.
Ed Oxenbould: from Disney adventures to building Paper Planes
From catwalks to fishboats: top-model Evgeniya Mandzhieva stars in The Gulls.
Studying people and creativity: Matt Porterfield shoots in Berlin.
Robert Connolly on making a film where the kid is the real hero.
A NASTY BABY to leave the audience morally confused.
Raiders of the lost plots: directors on a quest for lost cinema.
Doris Pack talks about the latest news concerning the LUX Prize and European cinema.
First feature directors, a couple in life and in business with a touching film about friendship.
Mateus Almada and Mauricio Barcellos: Young actors at their first international film festivals and their refreshing candor.
Jean-Gabriel Periot: Remembering the RAF years.
From the Berlinale Talents to Forum Berlinale: the journey of filmmaker Dominga Sotomayor.
Here we examine the factual form of filmmaking known as the documentary.
Film genres are closely connected to and were derived from literary genres, codified over millennia.
Cinema is appreciated through the form of “art exhibitions” which, in the field of the performing arts, are more often referred to as “festivals”.
For the average viewer it’s difficult to realise the amount of work and people involved in filmmaking.
Filmmaker work on creating a specific language. But cinema is also a language of its own and abides by its own rules.
We look at how, more often than not, it’s actually very difficult to tell the difference between the genres.