International show – Film: Eat Sleep Die #FredAtSchool
Listen to the full third international show of FRED at School
Listen to the full third international show of FRED at School
BDSM, zoophilia and other fantasies portrayed and explained by their performers
We all know and love the Yes Men for their brilliant stunts. But who are the men behind the Yes Men?
A masterfully refreshing adventure shared by two friends and a wild and free girl
A touching, clumsy male friendship. A masterfully refreshing adventure
The students talk about the aspects they found most striking about the films they watched during the course of the FRED AT SCHOOL project.
A family facing an inconceivable loss. A father searching for his daughter, followed by his son. A tale of two communities.
One of the directors of the Audi Festival of German Films tells us about its 2015 edition.
Sydney Film Festival's director tells us everything you need to know about the 2015 edition!
The school comments on one of the films from the FRED at School project
Minervini gives a voice to Louisiana's invisible territories living on the margins of society.
One of the most edgy and innovative films in competition, and the most terrifying film on the holocaust we've ever seen.
Two persons of two different ages, from the same country on the same island. Affinity is a gift to share and profit from.
A talk about the present, the pas and the future of one of the most worldly renowned European actresses.
The young actor talks about his love for the film, for cinema in general and for...Con Air.
After the celebrated Blue Ruin two years ago, Jeremy Saulnier is back on the Croisette with a witty and at the same time terrifying new film.
A history of violence: humanizing the figure of a young man with a criminal past
Tim Roth as a nurse full of contradictions, a static camera, a shocking ending: CHRONIC
The lead actor of Saul Fia talks about the hardest role in his life so far and how to get ready for it
A conversation with a master of images in motion: Roger Deakins
The Marché du Film NEVER stops investigating on the future of film.
Trier's English language feature debut - six years in the making.
When longing to be loved can be a trap
"We see the film from my character's eyes"
It's easier to survive a war if you don't show your emotions