Lav Diaz – The Woman Who Left #Venezia73
The film that won the coveted 2016 Golden Lion in Venice.
The film that won the coveted 2016 Golden Lion in Venice.
Giornate degli Autori - Venezia
The pain of fitting in.
Giornate degli Autori - Venezia
Basically an impossible love story, with a western feel and a Colombia setting, that merge into a genre and tensed movie.
A world just like ours, one in which we never know what is about to change.
A twentieth century filled with great illusions buried in ruins.
Sydney Latin America Film Festival
Bringing since 2006 over 150 films and more than a dozen guest filmmakers from across Latin America to Australian shores.
Cinema, space, and history: Francesco Giai Via
Spanish films and fashion: Joana Granero
Jackie was a queen without a crown, who lost both her throne and her husband.
If these enemies could put aside their hatred and come together, then so can others.
An attempt to create a new and immersive cinematic experience.
Traces of life, sometime ago, long ago, here and now.
An affecting film, tensed and sharp, on a quest for her disappeared sister fom a girl in rural Argentina. Simple but intense, and riveting.
La Soledad is an old house in Caracas. It was the house of the director for centuries. Now it has to be demolished.
Giornate degli Autori - Venezia
Are films weaker than reality?
The unbearable lightness of death.
A savage dystopian fairytale set in a Texas wasteland where society’s rejects are just trying to make ends meet.
A "Great Gatsby" of present day Japan, wrapped up in a mystery.
To avoid deep disillusion when witnessing the brutality of human relationships.
An artist who shows an unwavering commitment to her work at a critical juncture in her life.
A story about the weight of the past on the Nepali present.
35 years of silent film days.
THE FILM CORNER: New on and off activities for film literacy.
A future full of green filmmaking: greenfilmshooting.net
Let's find out what will happen at the 6th Italian Meeting of Independent Film Producers, that will take place in Matera in March of 2017.
A chat with the head of studies of Biennale College and the man behind the virtual reality section at Venice Production Bridge.
The president of the International Confederation of Art Cinemas talks about the heatlh of art house versus the digital era.
When you have no budget you can shoot how you want and, when this happens, sometimes you do something good.
Acting without acting; blending in like a furious chameleon.
The origins of the fury.