Joanna Hogg – Exhibition #Berlinale
The concept of architecture in film, as shown in Joanna Hogg's work Exhibition.
The concept of architecture in film, as shown in Joanna Hogg's work Exhibition.
Face to face with Nazi architect and minister of war Albert Speer.
Violence and power: how to keep calm, cool and collected in revisiting historical horror.
Laurent Crouzeix - programmer - Clermont-Ferrand International Short Film Festival This is an extract from the 2015 Berlinale Talents master class "Short Cuts" from the 65th Berlin International Film Festival. In this extract Laurent Crouzeix talks about the evolution of the …
Dismounting the auteur theory and its relevance in the world of TV series.
The difference between documentaries and the news, and how to achieve authenticity in documentary filmmaking.
Legendary DOP Peter Zetlinger discusses the always relevant topic of digital vs. film
The current state of Nollywood's documentary filmmaking.
Aronofsky talks about the conception and development of one of his most celebrated films: The Fountain.
Is an editor's relationship with a documentary filmmaker different from one with a fiction filmmaker?
Filmmaker Walter Salles, an expert in the field, talks about road movies.
Building the world before constructing the plot for Steven Spielberg's "Minority Report"
Doris Pack talks about the latest news concerning the LUX Prize and European cinema.
Here we examine the factual form of filmmaking known as the documentary.
Film genres are closely connected to and were derived from literary genres, codified over millennia.
Cinema is appreciated through the form of “art exhibitions” which, in the field of the performing arts, are more often referred to as “festivals”.
For the average viewer it’s difficult to realise the amount of work and people involved in filmmaking.
Filmmaker work on creating a specific language. But cinema is also a language of its own and abides by its own rules.
We look at how, more often than not, it’s actually very difficult to tell the difference between the genres.
Films can also be discussed, which means that, as well as normal viewers, spectators can also be film critics or analysts.
Another important part of how we watch films has to do with language. How do we watch films that speak a language other than ours?
In this unit, we will have a look at where and how films are watched and how this has changed over the years.
Close Encounters of the Digital Kind at the National Cinema Museum of Turin.