“Bogancloch”, interview with director Ben Rivers
Director Ben Rivers discusses his imaginative approach to documenting Jake Williams' life in the film "Bogancloch".
Listeners:
Top listeners:
ENGLISH Channel 01 If English is your language, or a language you understand, THIS IS YOUR CHANNEL !
ITALIAN Channel 02 Se l’italiano è la tua lingua, o una lingua che conosci, QUESTO È IL TUO CANALE!
EXTRA Channel 03 FRED Film Radio channel used to broadcast press conferences, seminars, workshops, master classes, etc.
GERMAN Channel 04 Wenn Ihre Sprache Deutsch ist, oder Sie diese Sprache verstehen, dann ist das IHR KANAL !
POLISH Channel 05
SPANISH Channel 06 Si tu idioma es el español, o es un idioma que conoces, ¡ESTE ES TU CANAL!
FRENCH Channel 07 Si votre langue maternelle est le français, ou si vous le comprenez, VOICI VOTRE CHAINE !
PORTUGUESE Channel 08
ROMANIAN Channel 09 Dacă vorbiţi sau înţelegeţi limba română, ACESTA ESTE CANALUL DUMNEAVOASTRĂ!
SLOVENIAN Channel 10
ENTERTAINMENT Channel 11 FRED Film Radio Channel used to broadcast music and live shows from Film Festivals.
BULGARIAN Channel 16 Ако българският е вашият роден език, или го разбирате, ТОВА Е ВАШИЯТ КАНАЛ !
CROATIAN Channel 17 Ako je hrvatski tvoj jezik, ili ga jednostavno razumiješ, OVO JE TVOJ KANAL!
LATVIAN Channel 18
DANISH Channel 19
HUNGARIAN Channel 20
DUTCH Channel 21
GREEK Channel 22
CZECH Channel 23
LITHUANIAN Channel 24
SLOVAK Channel 25
ICELANDIC Channel 26 Ef þú talar, eða skilur íslensku, er ÞETTA RÁSIN ÞÍN !
INDUSTRY Channel 27 FRED Film Radio channel completely dedicated to industry professionals.
EDUCATION Channel 28 FRED Film Radio channel completely dedicated to film literacy.
SARDU Channel 29 Si su sardu est sa limba tua, custu est su canale chi ti deghet!
“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
"Drowning Dry", interview with director Laurynas Bareiša Federica Scarpa
At the Locarno Film Festival, Fred Film Radio spoke with director Laurynas Bareiša about his film “Drowning Dry”, which is in competition at the festival. The film centres around a family vacation that takes a dark turn after a near-tragic event, exploring themes of trauma and its lingering effects.
“Drowning Dry” draws from Laurynas Bareiša‘s personal experience with his child, who nearly choked in a close call that left a lasting impact. “Even though nothing happened, that ‘nothing’ is still an event,” Bareiša explains. He wanted to delve into how an almost tragedy can subtly yet profoundly alter relationships and self-perception. The film uses this concept to explore how people grapple with the emotional ripples of events that didn’t fully materialize.
The title “Drowning Dry” works on both literal and metaphorical levels. In the film, one of the characters almost drowns, leading to a condition that mirrors the emotional state of the other characters. “It’s a metaphor for relationships,” Laurynas Bareiša says, highlighting how couples and individuals can appear fine on the surface but are silently struggling, “drowning” in their inability to communicate or connect. The metaphor extends to societal issues, such as overconsumption and environmental disregard, illustrating how people continue harmful behaviors despite knowing the consequences.
Laurynas Bareiša is committed to challenging his audience, believing that cinema should provoke thought and evoke new emotions. “You have this one and a half hours with the audience; it’s valuable time,” he notes. His goal is to create a film experience that can’t be easily reduced to simple explanations but instead leaves a lasting impression, even if it’s uncomfortable. He emphasizes the power of cinema to merge narrative, structure, visuals, and sound into something uniquely impactful.
As a Lithuanian filmmaker, Laurynas Bareiša faces challenges in maintaining his cultural identity while reaching an international audience. Originally titled Seses, “sisters” in Lithuanian, the film was renamed“Drowning Dry” for its international release to better convey its layered themes. “Through translation, you lose some things, but you can also gain something,” he explains, acknowledging the complexities of presenting a culturally specific story to a global audience.
Laurynas Bareiša‘s “Drowning Dry” is a thought-provoking exploration of trauma, memory, and the hidden struggles within relationships. By drawing from personal experience and challenging both himself and his audience, Bareiša has crafted a film that resonates on multiple levels, leaving viewers with much to ponder long after the credits roll.
Together with her sister Juste's family, Ernesta, her husband Lukas, and her son are spending the weekend at a country house after Lukas's victory in a mixed martial arts tournament. The families are swimming in a nearby lake, having dinner, discussing family finances. After a near-tragic accident, the sisters become single mothers. The film follows the sisters' life in the aftermath of the tragedy.
Written by: Federica Scarpa
Guest
Laurynas BareišaFilm
Drowning DryFestival
Locarno Film FestivalDirector Ben Rivers discusses his imaginative approach to documenting Jake Williams' life in the film "Bogancloch".
Lotfi Achour’s Red Path, at the Locarno Film Festival: a poignant and immersive exploration of childhood trauma through a dreamlike lens.
Mar Coll's Salve Maria, in competition at the Locarno Film Festival, explores the dark side of motherhood with intense visuals and raw emotional depth.
Edgar Pêra’s Telepathic Letters blends AI-generated visuals with the philosophies of Lovecraft and Pessoa, creating a unique cinematic experience.
“Edge of Night” explores the profound complexities of loyalty and identity amidst societal struggles. Discover how Türker Süer captures the emotional essence of his characters in this compelling narrative.
Listen to the interviews on FRED Film Radio with the award winners of this 81st edition of the Venice International Film Festival. Golden Lion to Pedro Almodovar's film "The Room Next Door".
M- Son of the century, premiering at Venice 81, is a contemporary portrait of Mussolini and his political rise
Nanni Moretti wins the Pietro Bianchi Award, while "The Brutalist" and "The New Year That Never Came" shine at the 81st Venice Film Festival's collateral awards.
© 2023 Emerald Clear Ltd - all rights reserved.