Christian Avilés, director of Daydreaming So Vividly About Our Spanish Holidays: "tackling the "balconing" phenomenon as a way to talk about teenage depression"
play_arrow
"Daydreaming So Vividly About Our Spanish Holidays", Interview with director Christian AvilésChiara Nicoletti
In this interview, Avilés explains how the film tackles the “balconing” phenomenon frequently involving adolescents during holidays only as an excuse or an instrument to really talk about teenage depression. Through a voice over and a dreamlike cinematic experience, we realize how the protagonist is dealing with overwhelming thoughts during his coming of age years.
Daydreaming So Vividly About Our Spanish Holidays: The sun is a source of life, warmth, and health. But British teenagers live in a country where they don’t get enough sunlight. They suffer mentally and physically and compensate for the lack of sunshine by taking vitamin D supplements. They dream of escaping to the Balearic Islands – Mallorca in the case of the protagonist – to soak up as many rays as possible in the short time they have, so they can enjoy their effects even under the gloomy British skies. A surrealistically poetic film about warmth and dreams, about the stunned reactions of locals who take the sun for granted, and about the grim phenomenon of “balconing,” which has cost some tourists their lives, even though they only came to enjoy the sunshine.
Plot
The sun is a source of life, warmth, and health. But British teenagers live in a country where they don’t get enough sunlight. They suffer mentally and physically and compensate for the lack of sunshine by taking vitamin D supplements. They dream of escaping to the Balearic Islands – Mallorca in the case of the protagonist – to soak up as many rays as possible in the short time they have, so they can enjoy their effects even under the gloomy British skies. A surrealistically poetic film about warmth and dreams, about the stunned reactions of locals who take the sun for granted, and about the grim phenomenon of “balconing,” which has cost some tourists their lives, even though they only came to enjoy the sunshine.
Stephan Komandarev, the esteemed Bulgarian director, shares the personal motivations behind his latest film 'Blaga’s Lessons' and offers captivating insights into the intimate portrayal of societal struggles and resilience.
Michel Franco about "Dreams" : 'When the father says "It’s okay to help immigrants, but there are limits," that’s the biggest question in the film: can people [from different contexts] truly see each other as equals?'
"Future Future" director Davi Pretto: 'The apocalypse is not what Hollywood says it is, a huge bang. That's not the apocalypse. The apocalypse is happening every day.'
'The screenplay of "They Come Out of Margo"', says director Alexandros Voulgaris, 'started with another composer, then it became personal, and then it also became about female artists in the 70s and 80s.'
"Bidad" director Soheil Beiraghi: 'A lot is happening in Iran: there is life, their is beauty, and there is a happiness around, and we need to portray that.'