“The last showgirl”, interview with director Gia Coppola and actress Pamela Anderson
The last showgirl by Gia Coppola marks Pamela Anderson’s flashy and moving comeback to the big screen
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“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
“Cidade; Campo”, interview with the director Juliana Rojas
Juliana Rojas, director , "Cidade; Campo". Two stories about changing life and place, country side versus city, one film about reconstructing one's life.
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"Cidade; Campo", interview with the director Juliana Rojas Angelo Acerbi
Juliana Rojas presents her new film “Cidade; Campo” at the 74th Berlin International Film Festival. The film narrates two separate stories, like two films in one, linked by a common theme: migration. Two opposite paths, one from the countryside to the city, and the other reversed from city to countryside, that involve common issues as family ties, grief, work relations and love.
Materialism versus existentialism
One of the goals of “Cidade; Campo” is to confront the essence of modern city life, the materialistic approach that our culture has forced on us, with the existentialistic approach to life that living in the nature , with te rougher and tougher rhythm of country life, involves.
A supernatural atmosphere
To enhance this difference, Julian Rojas decided to include in the second story of “Cidade; Campo” an element of supernatural, inspired to the ghost stories she loves. this is why the country side part has also a different look, and narrative pace.
Plot
Two tales of migration between the city and the countryside. After devastating floods in her hometown, rural worker Joana moves to São Paulo to find her sister Tania who lives with her grandson Jaime. Joana struggles to thrive in this “working city”. Entering the world of precarious employment, she applies for a job at a cleaning company. There, Joana gradually bonds with her colleagues whose collective struggle for better working conditions brings new meaning to her life. Meanwhile, her deepening relationship with young Jaime reawakens memories of her missing son. In the second part of the film, following the death of her estranged father, Flavia moves to his farm with her wife Mara. The two women struggle to make a fresh start in the wilderness. Living in the abandoned house, Flavia discovers unknown aspects of her father’s life. The couple suffers a shock when facing the harsh realities of rural daily life. Flavia begins to suspect that there is something in the woods surrounding the house. Nature forces the couple to confront old memories and ghosts.
Channel posts
“William Tell”, interview with director Nick Hamm and actor Claes Bang
William Tell by Nick Hamm, shot in Cinecittà and Alto Adige, is finally coming out in Italy
Lovers Film Festival celebrates 40 years with an unforgettable edition
The Lovers Film Festival celebrates 40 years with 70 films from 26 countries, international guests and tributes to LGBTQI+ cinema icons. Directed by Vladimir Luxuria, from 10 to 17 April at the Cinema Massimo in Turin.
“Fatherhood”, interview with director August B Hanssen at BFI Flare 2025
August B Hanssen, director on "Fatherhood", non-conventional families and fostering empathy
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“The last showgirl”, interview with director Gia Coppola and actress Pamela Anderson
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