“Honey Don’t”, interview with director Ethan Coen and screenwriter Tricia Cooke
Honey Don't by Ethan Coen, the second chapter in a lesbian pulp trilogy that began with Drive Away Dolls, subverts the femme fatale trope.
Listeners:
Top listeners:
ENGLISH Channel 01 If English is your language, or a language you understand, THIS IS YOUR CHANNEL !
ITALIAN Channel 02 Se l’italiano è la tua lingua, o una lingua che conosci, QUESTO È IL TUO CANALE!
EXTRA Channel 03 FRED Film Radio channel used to broadcast press conferences, seminars, workshops, master classes, etc.
GERMAN Channel 04 Wenn Ihre Sprache Deutsch ist, oder Sie diese Sprache verstehen, dann ist das IHR KANAL !
POLISH Channel 05
SPANISH Channel 06 Si tu idioma es el español, o es un idioma que conoces, ¡ESTE ES TU CANAL!
FRENCH Channel 07 Si votre langue maternelle est le français, ou si vous le comprenez, VOICI VOTRE CHAINE !
PORTUGUESE Channel 08
ROMANIAN Channel 09 Dacă vorbiţi sau înţelegeţi limba română, ACESTA ESTE CANALUL DUMNEAVOASTRĂ!
SLOVENIAN Channel 10
ENTERTAINMENT Channel 11 FRED Film Radio Channel used to broadcast music and live shows from Film Festivals.
BULGARIAN Channel 16 Ако българският е вашият роден език, или го разбирате, ТОВА Е ВАШИЯТ КАНАЛ !
CROATIAN Channel 17 Ako je hrvatski tvoj jezik, ili ga jednostavno razumiješ, OVO JE TVOJ KANAL!
LATVIAN Channel 18
DANISH Channel 19
HUNGARIAN Channel 20
DUTCH Channel 21
GREEK Channel 22
CZECH Channel 23
LITHUANIAN Channel 24
SLOVAK Channel 25
ICELANDIC Channel 26 Ef þú talar, eða skilur íslensku, er ÞETTA RÁSIN ÞÍN !
INDUSTRY Channel 27 FRED Film Radio channel completely dedicated to industry professionals.
EDUCATION Channel 28 FRED Film Radio channel completely dedicated to film literacy.
SARDU Channel 29 Si su sardu est sa limba tua, custu est su canale chi ti deghet!
“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
Bruce Weber - Nice Girls Don’t Stay for Breakfast #Venezia75 fredfilmradio
PODCAST| Ilaria Gomarasca interviews Bruce Weber, director of the film Nice Girls Don’t Stay for Breakfast.
Bruce Weber introduces us behind the scenes of his last work, presented at Venice Classics.
Nice Girls Don’t Stay for Breakfast: In the late 1990s, iconic photographer Bruce Weber managed to convince Robert Mitchum to appear before his camera for a filmed portrait. Weber shot Mitchum in 35mm and 16mm black and white, hanging with friends and cronies in restaurants and hotel rooms and singing before a microphone at Capitol Records, recording standards for a projected album. When Mitchum passed away in 1997, Weber parked his beloved project and it was some time before he went back into his footage, picked up the camera again to continue, and complete, his tribute to Mitchum.
Nice Girls Don’t Stay for Breakfast is a beautifully textured full-throttle portrait of a man who came from—and for many was the very embodiment of—a bygone era, speaking and enacting its prejudices, its longings, and its charms. Robert Mitchum, Hollywood’s original “bad boy” was a great artist with the sensibility of a poet.
Written by: fredfilmradio
Bruce Weber Ilaria Gomarasca Nice Girls Don’t Stay for Breakfast Venezia 75 Venice Classics
Festival
Mostra del Cinema di VeneziaNo related posts.
Honey Don't by Ethan Coen, the second chapter in a lesbian pulp trilogy that began with Drive Away Dolls, subverts the femme fatale trope.
Farewell to Robert Redford, 89. The Hollywood icon, Oscar-winning director, and founder of Sundance Film Festival died at his home in Utah, leaving behind an extraordinary legacy of film and activism.
"Our cinematic tribute to the powerful of music"
"A Dan in Vain" by Lee Hong-Chi is a powerful glimpse into Shanghai lost hopes, capturing young artists' internal struggles and societal pressures with minimal emotion.
© 2023 Emerald Clear Ltd - all rights reserved.