“Olmo”, Interview with Director Fernando Eimbcke
At the 75.Berlinale, "Olmo" by Fernando Eimbcke, a coming-of-age story rooted in family.
Listeners:
Top listeners:
ENGLISH Channel 01 If English is your language, or a language you understand, THIS IS YOUR CHANNEL !
ITALIAN Channel 02 Se l’italiano è la tua lingua, o una lingua che conosci, QUESTO È IL TUO CANALE!
EXTRA Channel 03 FRED Film Radio channel used to broadcast press conferences, seminars, workshops, master classes, etc.
GERMAN Channel 04 Wenn Ihre Sprache Deutsch ist, oder Sie diese Sprache verstehen, dann ist das IHR KANAL !
POLISH Channel 05
SPANISH Channel 06 Si tu idioma es el español, o es un idioma que conoces, ¡ESTE ES TU CANAL!
FRENCH Channel 07 Si votre langue maternelle est le français, ou si vous le comprenez, VOICI VOTRE CHAINE !
PORTUGUESE Channel 08
ROMANIAN Channel 09 Dacă vorbiţi sau înţelegeţi limba română, ACESTA ESTE CANALUL DUMNEAVOASTRĂ!
SLOVENIAN Channel 10
ENTERTAINMENT Channel 11 FRED Film Radio Channel used to broadcast music and live shows from Film Festivals.
BULGARIAN Channel 16 Ако българският е вашият роден език, или го разбирате, ТОВА Е ВАШИЯТ КАНАЛ !
CROATIAN Channel 17 Ako je hrvatski tvoj jezik, ili ga jednostavno razumiješ, OVO JE TVOJ KANAL!
LATVIAN Channel 18
DANISH Channel 19
HUNGARIAN Channel 20
DUTCH Channel 21
GREEK Channel 22
CZECH Channel 23
LITHUANIAN Channel 24
SLOVAK Channel 25
ICELANDIC Channel 26 Ef þú talar, eða skilur íslensku, er ÞETTA RÁSIN ÞÍN !
INDUSTRY Channel 27 FRED Film Radio channel completely dedicated to industry professionals.
EDUCATION Channel 28 FRED Film Radio channel completely dedicated to film literacy.
SARDU Channel 29 Si su sardu est sa limba tua, custu est su canale chi ti deghet!
“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
"Ancestral Visions of the Future", Interview with Director Lemohang Mosese Federica Scarpa
At the 75th Berlinale, director Lemohang Mosese presents his latest film, “Ancestral Visions of the Future“, a deeply personal and poetic meditation on memory, loss, and displacement. In this exclusive interview, Mosese reflects on his creative process, the interplay between text and image, and the emotional core of his work.
Described by Mosese as a lamentation, “Ancestral Visions of the Future” explores the tension between childhood memories and the shifting reality of home. The film does not seek to reconstruct the past but rather to express the feeling of searching for something that no longer exists.
For Mosese, cinema is closer to poetry than prose. His approach to filmmaking is instinctive, fragmented, and deeply symbolic, embracing both real and imagined memories. He trusts his gut feeling, even when certain elements feel surreal or abstract.
A central theme in “Ancestral Visions of the Future” is the figure of the mother—both as a personal and symbolic presence. Mosese credits his mother with shaping his identity and artistic confidence, making the film a tribute to maternal love and resilience.
Moses describes cinema as his saviour, a force that has shaped his life and given him a voice. Though he rarely watches films, he remains deeply connected to storytelling as a means of self-expression. “Ancestral Visions of the Future” is his most introspective work yet—a raw and unfiltered outcry that invites audiences to interpret its meaning for themselves.
Ancestral Visions of the Future is a deeply personal work from filmmaker Lemohang Jeremiah Mosese. With fragmented narratives and mythical images, he crafts a haunting reflection on dislocation and belonging. Enter: the Puppeteer, a man who tends herbs that extend people’s lifespans to grant humanity time for redemption. And the Market Seller, a mother who keeps the language of dreams alive in a city that has forgotten how to speak it. The film also explores Mosese’s childhood and his relentless dance to evade death and wrest meaning from loss. From the dusty gravel roads where he played with toy wire cars as a seven-year-old to the dispassionate streets of exile where he dissolved into anonymity, Mosese confronts the moments that shattered and shaped him. His memories intertwine with the presence of his mother, a figure of vigilance and defiance. But Ancestral Visions of the Future is more than the story of one man’s exile – it is also an elegy for a city and a people caught between the weight of memory and the inevitability of loss. And it is a poetic ode to cinema.
Written by: Federica Scarpa
Guest
Lemohang Jeremiah MoseseFestival
BerlinaleAt the 75.Berlinale, "Olmo" by Fernando Eimbcke, a coming-of-age story rooted in family.
Fwends, by director Sophie Sommerville, delves into the transitional phase from adolescence to adulthood through the reunion of two friends.
When Lightning Flashes Over the Sea by director Eva Neymann is a tribute to the resilience of Odesa's residents amidst war.
Crossing by Levan Akin, opening film of the Panorama Section at the 74th Berlinale is an ode to solidarity, acceptance and a love letter to Istanbul
Mother’s baby, in competition at the 75th Berlinale, is a psychological thriller about the hidden side of motherhood.
Ari, in competition at the 75th Berlinale is a portrait of man trying to find his way back on track
The Safe house, in the 75th Berlinale competition, brings on the big screen La Cache by Christophe Boltanski
The Message by Ivàn Fund, in competition at the 75th Berlinale, blends the coming-of-age story with the road movie and magic realism
© 2023 Emerald Clear Ltd - all rights reserved.