“Una terapia di gruppo”, intervista agli attori Claudio Bisio e Valentina Lodovini
Una Terapia di Gruppo, al cinema dal 21 Novembre, racconta con la commedia, le ossessioni del nostro tempo
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“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
Amos Gitai – Laila in Haifa #Venezia77
PODCAST | Chiara Nicoletti interviews Amos Gitai, director of the film Laila in Haifa.
There’s a club in Haifa, the Fattoush, founded by a young Palestinian that welcomes people from different backgrounds, religion and sexual orientation. Director Amos Gitai, despite being born in Haifa discovered this place through an actress friend of his and decided to direct a film about it. That’s how Laila in Haifa was born. At the 77th Venice International Film Festival , where the film is in competition, the director reveals why he decided to focus on women and how Fattoush should be a virtuous example on how society should act and should be. Five Stories, Five Women, 14 characters and only one choice: to stay optimistic.
Laila in Haifa: Over the course of one night, we witness the interweaving stories of five women through a series of encounters and situations, defying all categories and labels in their relationships and personal identities. With an ensemble cast of both Israeli and Palestinian actors, Laila in Haifa is a drama with wry humor set over one night in a club in the port town of Haifa. The film presents a candid snapshot of contemporary life in one of the last remaining spaces where Israelis and Palestinians come together to engage in face-to-face relationships. The club itself is vital to the fabric of the film. Amos Gitai delivers a sensitive and distinctly humanist reflection of life in the region. Laila in Haifa is a lieu de rencontres, a moment of dialogue, in a region that otherwise suffers from chronic violence and hatred. Posing the questions: how can the arts create a space in which people can express their different identities but are looking for ways of mutual and peaceful coexistence? How can the language of cinema using juxtaposition of fragments of stories create a common human tissue?
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