Listeners:
Top listeners:
play_arrow
ENGLISH Channel 01 If English is your language, or a language you understand, THIS IS YOUR CHANNEL !
play_arrow
ITALIAN Channel 02 Se l’italiano è la tua lingua, o una lingua che conosci, QUESTO È IL TUO CANALE!
play_arrow
EXTRA Channel 03 FRED Film Radio channel used to broadcast press conferences, seminars, workshops, master classes, etc.
play_arrow
GERMAN Channel 04 Wenn Ihre Sprache Deutsch ist, oder Sie diese Sprache verstehen, dann ist das IHR KANAL !
play_arrow
POLISH Channel 05
play_arrow
SPANISH Channel 06 Si tu idioma es el español, o es un idioma que conoces, ¡ESTE ES TU CANAL!
play_arrow
FRENCH Channel 07 Si votre langue maternelle est le français, ou si vous le comprenez, VOICI VOTRE CHAINE !
play_arrow
PORTUGUESE Channel 08
play_arrow
ROMANIAN Channel 09 Dacă vorbiţi sau înţelegeţi limba română, ACESTA ESTE CANALUL DUMNEAVOASTRĂ!
play_arrow
SLOVENIAN Channel 10
play_arrow
ENTERTAINMENT Channel 11 FRED Film Radio Channel used to broadcast music and live shows from Film Festivals.
play_arrow
BULGARIAN Channel 16 Ако българският е вашият роден език, или го разбирате, ТОВА Е ВАШИЯТ КАНАЛ !
play_arrow
CROATIAN Channel 17 Ako je hrvatski tvoj jezik, ili ga jednostavno razumiješ, OVO JE TVOJ KANAL!
play_arrow
LATVIAN Channel 18
play_arrow
DANISH Channel 19
play_arrow
HUNGARIAN Channel 20
play_arrow
DUTCH Channel 21
play_arrow
GREEK Channel 22
play_arrow
CZECH Channel 23
play_arrow
LITHUANIAN Channel 24
play_arrow
SLOVAK Channel 25
play_arrow
ICELANDIC Channel 26 Ef þú talar, eða skilur íslensku, er ÞETTA RÁSIN ÞÍN !
play_arrow
INDUSTRY Channel 27 FRED Film Radio channel completely dedicated to industry professionals.
play_arrow
EDUCATION Channel 28 FRED Film Radio channel completely dedicated to film literacy.
play_arrow
SARDU Channel 29 Si su sardu est sa limba tua, custu est su canale chi ti deghet!
play_arrow
“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
PODCAST| Matt Micucci interviews Alexander Kluge, director of the film Happy Lamento.
Alexander Kluge, a director with a long and illustrious history at the Venice Film Festival, returns to the Lido with his new film, Happy Lamento, featuring the filmmaker Khavn De La Cruz. In this interview he reveals that as a filmmaker – one of the filmmakers who signed the famed Oberhausen Manifesto – he has never stopped experimenting with the art form and reveling in the opportunities that technological developments allow.
Happy Lamento: At heart, the film concerns electric light, the circus, the song Blue Moon, and street wars among children’s gangs in North Manila, a wilderness otherwise inaccessible to Western eyes. We see how the circus comes to town with the appearance of President Trump at the G-20 summit in Hamburg in 2017; we see how the street wars of the children in Manila run on for years; Helge Schneider appears as a “human light snake” as in Edison’s Annabelle: Serpentine Dance, from 1895; my friend, the dramatist Heiner Muller, philisophizes about the moon; we hear a musical requiem for commodities that lie unpurchased on a Saturday; we see the dramatic evacuation of a circus in Russia that tries to save its elephants in the early morning stands in contrast to a world that is increasingly savage; the poet Ann Cotten appears in the role of King Kong, the cinematic hero that defends what he loves to death. The images that one sees in this sequence are filmed through glass panels made by artist Kerstin Braetsch in New York.
Explore Céline Sciamma's remarkable journey through cinema and her unique approach to storytelling in our exclusive interview about This is How a Child becomes a poet. Discover the transformative power of her films, from "Water Lilies" to "Portrait of a …
Waltzing with Brando, directed by Bill Fishman, premieres at the Torino Film Festival, featuring Billy Zane as Marlon Brando.
An interview with director Christopher Andrews and actor Colm Meaney for their "Bring Them Down", that confronts themes of isolation and conflict.
At Alice nella Città the first feature film of Julien Menanteau "Lads", an insightful look into the world of young jockeys and the horse racing industry.
When We Were Sisters explores the complexities of friendship and family through a 90s lens. At Alice nella Città, director Lisa Brühlmann emphasizes the importance of resilience and connection in her heartfelt film.
Skip to content
