“The great yawn of history”, interview with director Alyar Rasti
The great yawn of history by Aliyar Rasti , presented in the Encounters section at the 74th Berlinale, was inspired by the director’s fever dream.
Listeners:
Top listeners:
00:00
00:00
volume_up
chevron_left
-
play_arrow
ENGLISH Channel 01 If English is your language, or a language you understand, THIS IS YOUR CHANNEL !
-
play_arrow
ITALIAN Channel 02 Se l’italiano è la tua lingua, o una lingua che conosci, QUESTO È IL TUO CANALE!
-
play_arrow
EXTRA Channel 03 FRED Film Radio channel used to broadcast press conferences, seminars, workshops, master classes, etc.
-
play_arrow
GERMAN Channel 04 Wenn Ihre Sprache Deutsch ist, oder Sie diese Sprache verstehen, dann ist das IHR KANAL !
-
play_arrow
POLISH Channel 05
-
play_arrow
SPANISH Channel 06 Si tu idioma es el español, o es un idioma que conoces, ¡ESTE ES TU CANAL!
-
play_arrow
FRENCH Channel 07 Si votre langue maternelle est le français, ou si vous le comprenez, VOICI VOTRE CHAINE !
-
play_arrow
PORTUGUESE Channel 08
-
play_arrow
ROMANIAN Channel 09 Dacă vorbiţi sau înţelegeţi limba română, ACESTA ESTE CANALUL DUMNEAVOASTRĂ!
-
play_arrow
SLOVENIAN Channel 10
-
play_arrow
ENTERTAINMENT Channel 11 FRED Film Radio Channel used to broadcast music and live shows from Film Festivals.
-
play_arrow
BULGARIAN Channel 16 Ако българският е вашият роден език, или го разбирате, ТОВА Е ВАШИЯТ КАНАЛ !
-
play_arrow
CROATIAN Channel 17 Ako je hrvatski tvoj jezik, ili ga jednostavno razumiješ, OVO JE TVOJ KANAL!
-
play_arrow
LATVIAN Channel 18
-
play_arrow
DANISH Channel 19
-
play_arrow
HUNGARIAN Channel 20
-
play_arrow
DUTCH Channel 21
-
play_arrow
GREEK Channel 22
-
play_arrow
CZECH Channel 23
-
play_arrow
LITHUANIAN Channel 24
-
play_arrow
SLOVAK Channel 25
-
play_arrow
ICELANDIC Channel 26 Ef þú talar, eða skilur íslensku, er ÞETTA RÁSIN ÞÍN !
-
play_arrow
INDUSTRY Channel 27 FRED Film Radio channel completely dedicated to industry professionals.
-
play_arrow
EDUCATION Channel 28 FRED Film Radio channel completely dedicated to film literacy.
-
play_arrow
SARDU Channel 29 Si su sardu est sa limba tua, custu est su canale chi ti deghet!
-
play_arrow
“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
Aleksey German Jr. – Dovlatov #Berlinale2018
PODCAST| Nicolò Comotti interviews Aleksey German Jr., director of the film Dovlatov.
Aleksey German Jr. is here in Berlin with his extremely ambitious film Dovlatov, screening in the official competition of the 68th edition of the Berlinale. After his visually stunning Under the Electric Clouds that won him the Silver Bear in 2015, German returns with a film that pars his beautiful aesthetics with a fluid and bold narrative. Through the fog of 1970s Soviet Union, we experience the struggle of Sergei Dovlatov, who would then become, unbeknownst to him, one of the most influential writers in post-Soviet Russia.
Dovlatov: Leningrad, November 1971. The city is shrouded in fog. Another anniversary of the revolution is being celebrated, but the country is not making any progress – politically, economically or culturally. Sergei has first-hand experience of this stasis. The young writer’s manuscripts are regularly rejected by the official media; his view on things and people is not desired. Others are experiencing similar problems, one of them is his friend Joseph Brodsky whom the state forces into exile. Sergei is however determined to stay and lead a normal life with his wife Lena and daughter Katya. He wants to write about discovering reality: about shipyard workers, or the construction of the metro where one day the bodies of thirty children killed during the Second World War are uncovered. Alexey German Jr’s film makes use of grand tableaux and extended tracking shots to portray the world of Russian-Jewish writer Sergei Dovlatov (1941–1990), whose brilliantly ironic texts were forbidden from being printed in the Soviet Union under Brezhnev. Out of a tragicomic rondeau of rebellion and assimilation, pain and fatigue, ensues a portrait of an era of stagnation and its destructive effects.
Related Posts
“Cidade; Campo”, interview with the director Juliana Rojas
"Cidade; Campo", two places that talk and confront in the new Juliana Rojas film, where the theme of migrating, of changing life and place is seen in a reverse relation between the philosophy of the city and that of the …
Leandro Koch, Paloma Schachman – The Klezmer Project #Berlinale2023
A music documentary on klezmer music becomes a road movie and a love story in the filmmaker duo Leandro Koch, Paloma Schachmann's new work.
Franz Rogowski – Disco boy #Berlinale2023
Rogowski and italian directors: the perfect match.
Channel posts
“Una terapia di gruppo”, intervista agli attori Claudio Bisio e Valentina Lodovini
Una Terapia di Gruppo, al cinema dal 21 Novembre, racconta con la commedia, le ossessioni del nostro tempo
Todd Haynes Named Jury President for the 75th Berlin International Film Festival
Todd Haynes, acclaimed filmmaker behind hits like Carol and Far from Heaven, will lead the jury at the 75th Berlinale.
“Self”, interview with the director Searit Huluf
Self, a Pixar Sparkshort title by Searit Huluf, premiering at the Frame Future FF, is literally poetry turned into cinema
“Bogancloch”, Interview with director Ben Rivers
Discover “Bogancloch,” the docufilm by Ben Rivers that explores the intricate relationship between isolation and nature, inviting audiences to reflect on the human experience in a profound way.
Skip to content