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ENGLISH Channel 01 If English is your language, or a language you understand, THIS IS YOUR CHANNEL !
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ITALIAN Channel 02 Se l’italiano è la tua lingua, o una lingua che conosci, QUESTO È IL TUO CANALE!
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EXTRA Channel 03 FRED Film Radio channel used to broadcast press conferences, seminars, workshops, master classes, etc.
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GERMAN Channel 04 Wenn Ihre Sprache Deutsch ist, oder Sie diese Sprache verstehen, dann ist das IHR KANAL !
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POLISH Channel 05
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SPANISH Channel 06 Si tu idioma es el español, o es un idioma que conoces, ¡ESTE ES TU CANAL!
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FRENCH Channel 07 Si votre langue maternelle est le français, ou si vous le comprenez, VOICI VOTRE CHAINE !
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PORTUGUESE Channel 08
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ROMANIAN Channel 09 Dacă vorbiţi sau înţelegeţi limba română, ACESTA ESTE CANALUL DUMNEAVOASTRĂ!
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SLOVENIAN Channel 10
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ENTERTAINMENT Channel 11 FRED Film Radio Channel used to broadcast music and live shows from Film Festivals.
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BULGARIAN Channel 16 Ако българският е вашият роден език, или го разбирате, ТОВА Е ВАШИЯТ КАНАЛ !
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CROATIAN Channel 17 Ako je hrvatski tvoj jezik, ili ga jednostavno razumiješ, OVO JE TVOJ KANAL!
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LATVIAN Channel 18
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DANISH Channel 19
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HUNGARIAN Channel 20
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DUTCH Channel 21
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GREEK Channel 22
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CZECH Channel 23
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LITHUANIAN Channel 24
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SLOVAK Channel 25
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ICELANDIC Channel 26 Ef þú talar, eða skilur íslensku, er ÞETTA RÁSIN ÞÍN !
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INDUSTRY Channel 27 FRED Film Radio channel completely dedicated to industry professionals.
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EDUCATION Channel 28 FRED Film Radio channel completely dedicated to film literacy.
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SARDU Channel 29 Si su sardu est sa limba tua, custu est su canale chi ti deghet!
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“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
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World Cinema Fund at Berlinale, interview with Kesmat Eisayed, Egyptian producer Angelo Acerbi
World Cinema Fund is a special programme linked to the European Film Market and to the Berlinale with the goal to promote high-quality filmmaking in regions with a weak infrastructure for film, while fostering cultural diversity in German cinemas as well as supporting collaboration between German and European producers and partners in WCF regions and countries. In the days of activity of the Fund in Berlin, we met with Kesmat El Sayed, an Egyptian producer that was one of the speakers in a panel on Arab Cinema.
Kesmat El Sayed explains where lies the biggest obstacle in helping and promote filmmaking in the regions interested by the WCF: where the money is spent. Most of the funding coming from the Western world to help the producers that are the target of these actions are to be spent in the west and not on location, with makes the actual help much more complex, as there must be a non-local co-producer that needs to find a way to get those grants and use them.
"the Good Sister" by Sarah Miro Fischer starts form a personal experience of violence of the director to narrate what happens between a brother and a sister once he is accused of rape: the perception of a loved one as …
The Safe house, in the 75th Berlinale competition, brings on the big screen La Cache by Christophe Boltanski
What Marielle Knows by Frédéric Hambalek is about the power structures that exist and shift within a family.
The mesmerizing world of 'PEPE', where director Nelson Carlo De Los Santos Arias blurs the lines between reality and imagination.
Barbara Allen with her film "House Music: A Cultural Evolution" paints a clear picture of the birth of a genre that is still rocking the dancefloors, and that in Chicago found a second prolific home to develop and evolve.
Emma Barboni, film commissioner of the Emilia Romagna Film Commission, tells us about the production of the film "Paternal Leave" by Alissa Jung, presented in the Generation section of the Berlinale, and also about the new funds available for film …
Gemma Lynch is the Head of Production of Sardinia film Commission. She has been at the European film Market bringing a huge delegation of professionals from the region to navigate inside the European Film Market to be known and to …
Stefania Ippoliti, director of the Toscana Film Commission, is proud to share with us the development and the success of Manifatture Digitali Cinema, an education program for soon-to-be professionale in the film production field, created and acted in Prato, Tuscany.
