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ENGLISH Channel 01 If English is your language, or a language you understand, THIS IS YOUR CHANNEL !
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ITALIAN Channel 02 Se l’italiano è la tua lingua, o una lingua che conosci, QUESTO È IL TUO CANALE!
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EXTRA Channel 03 FRED Film Radio channel used to broadcast press conferences, seminars, workshops, master classes, etc.
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GERMAN Channel 04 Wenn Ihre Sprache Deutsch ist, oder Sie diese Sprache verstehen, dann ist das IHR KANAL !
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POLISH Channel 05
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SPANISH Channel 06 Si tu idioma es el español, o es un idioma que conoces, ¡ESTE ES TU CANAL!
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PORTUGUESE Channel 08
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ROMANIAN Channel 09 Dacă vorbiţi sau înţelegeţi limba română, ACESTA ESTE CANALUL DUMNEAVOASTRĂ!
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SLOVENIAN Channel 10
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ENTERTAINMENT Channel 11 FRED Film Radio Channel used to broadcast music and live shows from Film Festivals.
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BULGARIAN Channel 16 Ако българският е вашият роден език, или го разбирате, ТОВА Е ВАШИЯТ КАНАЛ !
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CROATIAN Channel 17 Ako je hrvatski tvoj jezik, ili ga jednostavno razumiješ, OVO JE TVOJ KANAL!
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DUTCH Channel 21
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CZECH Channel 23
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LITHUANIAN Channel 24
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SLOVAK Channel 25
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ICELANDIC Channel 26 Ef þú talar, eða skilur íslensku, er ÞETTA RÁSIN ÞÍN !
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INDUSTRY Channel 27 FRED Film Radio channel completely dedicated to industry professionals.
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EDUCATION Channel 28 FRED Film Radio channel completely dedicated to film literacy.
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SARDU Channel 29 Si su sardu est sa limba tua, custu est su canale chi ti deghet!
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“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
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Emilia Romagna Film Commission, interview with the film commissioner Emma Barboni Angelo Acerbi
The Emilia Romagna Film Commission was present at the European Film Market 2025 also as partner on a film that was in the Berlinale programme. the film is “Paternal Leave” by Alissa Jung that was shoot almost entirely in the region. Talking with Emma Barboni, film commissioner, we discover how the film was born and why it had to be shot in Emilia Romagna. And we also have a glimpse on the new funding calls promoted by the region.
In Emilia Romagna there is also a Music Fund, promoted by the regional government , to help the production of music in the region and to increase the activity of musicians and music producers. As Emma Barboni tells here, it made perfect sense that the Film Fund joined this other public fund; therefore the two funds can work together and a film production can apply to both, deciding to have the music for the film produced and recorded in Emilia Romagna
This interview was recorded during the (Berlinale), in partnership with the Italian Film Commissions Association and with the support of the Italian Trade Agency.
Gemma Lynch is the Head of Production of Sardinia film Commission. She has been at the European film Market bringing a huge delegation of professionals from the region to navigate inside the European Film Market to be known and to …
Stefania Ippoliti, director of the Toscana Film Commission, is proud to share with us the development and the success of Manifatture Digitali Cinema, an education program for soon-to-be professionale in the film production field, created and acted in Prato, Tuscany.
Alessandra Miletto, director of the valle d'Aosta Film Commission talks about the birth fo three new production companies in the region, to make the territory more competitive production-wise, and also about the rise of the cap in film funding.
Birgit Oberkofler, Head Film Fund & Commission, of the IDM Film Commission Südtirol presented the two new funds IDM has started, one for Music and the other for Distribution, and also shared the experience of helping the production of "Vermiglio", …
Barbara Allen with her film "House Music: A Cultural Evolution" paints a clear picture of the birth of a genre that is still rocking the dancefloors, and that in Chicago found a second prolific home to develop and evolve.
Kesmat El Sayed, one of the speakers on a panel on Arab Cinema, held in the frame of the World Cinema Fund days at the Berlinale 2025, is a producer from Egypt, based in Germany, who explains the difficult work …
Stefania Ippoliti, director of the Toscana Film Commission, is proud to share with us the development and the success of Manifatture Digitali Cinema, an education program for soon-to-be professionale in the film production field, created and acted in Prato, Tuscany.
Alessandra Miletto, director of the valle d'Aosta Film Commission talks about the birth fo three new production companies in the region, to make the territory more competitive production-wise, and also about the rise of the cap in film funding.
