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“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
Denis Côté comes back to Berlinale , this time with a documentary film about a man, “Paul“, who decides after many years of depression, of hiding himself and not being in the outside world, to try a new version of interaction: becoming a simp, a kind of slave for young women whom he does free cleaning for. This is the beginning of a new life and a good motivation ofr the director to observe the peculiar life of Paul.
Denis Côté decided to just observe, making “Paul” a non-judgmental film, letting us into the life of this man, whose life is lonely and peculiar, in the moment when he is trying his way out of a shell he forced himself into years ago.Denis Côté does not care how Paul chooses to do that, his choices are his and he is just peeking into this world from outside, like a passenger.
Denis Côté tells us that it has been complicated to convince Paul to let himself and his life filmed: Paul did not talk to man, any man, he was shy and did not like being in company of men. This obstacle was overcome, Paul developed a genuine love with the camera and his ego blossomed transforming his shyness in boldness.
Paul struggles with depression and social anxiety. He leads a solitary and routine-bound existence spent mostly at home. But, as a big fan of “Alice in Wonderland”, he is always thinking up new ways to make his world brighter and more ornate. Seeking safety and security, he embarks on an unusual job: doing housework for dominant women. As the submissive “Cleaning Simp Paul”, he succeeds in breaking out of his angst-ridden routine. Obsessed with his Instagram profile, Paul retreats into a self-prescribed, virtual therapeutic fantasy that he calls “Cleaning to Save My Life”. One Insta reel at a time, he battles to find inner peace by pleasing his favourite dominatrices.
Filmed from a candid, non-judgemental perspective, Paul is a portrait of an eccentric but endearing human being that delivers a unique take on our sometimes idiosyncratic quest for well-being.
Tricia Tuttle talks about her first experience as Director of the Berlin International Film Festival, with the tradition that she has been put in charge to bring on, working through the new tendencies and the new features of the contemporary …
Little Trouble Girls, debut feature by Slovenian director Urška Djukić follows a teen choir girl searching for her place in the world.
Under the big family of Berlinale Pro*, Berlinale Talents continues on its mission of focusing on creative people.
Home sweet home by director Frelle Petersen is an authentic insights into the emotional challenges faced by caregivers while they provide care to elderly and fragile people, reflecting the genuine dynamics of small-town communities,
Alessandra Miletto, director of the valle d'Aosta Film Commission talks about the birth fo three new production companies in the region, to make the territory more competitive production-wise, and also about the rise of the cap in film funding.
Birgit Oberkofler, Head Film Fund & Commission, of the IDM Film Commission Südtirol presented the two new funds IDM has started, one for Music and the other for Distribution, and also shared the experience of helping the production of "Vermiglio", …
Bridget Jones - Mad about the boy marks the return of the romantic-comedy heroine for a 4th bittersweet chapter
Winner of the Silver Bear for Best Director, Huo Meng’s "Living the Land" captures rural China in transition, blending poetic visuals with a deep reflection on family, tradition, and modernization.
