“Never Too Late”, intervista ai registi Lorenzo Vignolo e Salvatore De Chirico
"Raccontiamo una specie di lockdown all'aperto, dove i ragazzi non hanno mai avuto contatti con la natura"
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“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
Fred Film Radio interviewed Julien Menanteau, director of “Lads”, presented in competition at Alice nella Città. With an insightful look into the world of young jockeys and the horse racing industry, “Lads” is a unique perspective on ambition, resilience, and the cost of chasing dreams.
“Lads”tells the story of Ethan, a young jockey navigating the harsh realities of the horse racing industry. Known for its glamour and high-stakes wins, Menanteau takes us beyond the racetrack’s glitz. He shares, “I really wanted to speak about the people who work in this industry, the young people working with the horses and hoping to have a better future.”
For Julien Menanteau, the story is deeply personal. Inspired by directors like Ken Loach and films like The Loneliness of the Long Distance Runner, Menanteau crafted “Lads” as a raw, honest portrayal of the struggles behind the scenes in horse racing. “There is something very intense, almost military, in the way young jockeys live and train. It’s like a jail sometimes, with only one place for those who aspire to become jockeys,” he notes.
Having transitioned from documentary filmmaking, Menanteau’s approach to “Lads” is grounded in authenticity. “I wanted to make a movie that felt real. To achieve that, we shot with real horses, real jockeys, in real racing locations,” he explains. This decision, though challenging, added a genuine touch to the film’s depiction of horse racing.
Casting was also essential in Menanteau’s vision for “Lads”. The role of Ethan, played by Marco Luraschi, is both demanding and transformative. “Finding someone who could act and race without needing a stuntman was key. Marco’s background and dedication allowed us to keep it real, capturing every movement and emotion as he raced,” Menanteau shares.
The physical demands on jockeys are intense, reflecting a larger theme of ambition and the sacrifices made in pursuit of success. Menanteau agrees, noting, “In the beginning, Ethan wants a place to grow and excel, but over time, he realizes the cost. By the end, he’s faced with choices that make him question if the industry’s pursuit of success aligns with his values.”
The high stakes and relentless pursuit of excellence in horse racing reveal the costs involved. “He dreams of a better future, but as the movie unfolds, he starts questioning whether he’s losing a part of his humanity along the way,” Menanteau remarks.
Julien Menanteau also speaks about respecting the animals that make this sport possible. The team prioritized the horses’ health during filming. “We had only five minutes per hour to film the horses in action, allowing them 55 minutes of rest. Those five minutes were magical, and we captured everything with multiple cameras ready to go.”
“Lads” sheds light on both the beauty and the darker sides of the horse racing industry, delivering a compelling story that questions ambition, loyalty, and compassion. As Menanteau puts it, “At the beginning, there is a dream, but by the end, you see that success comes with a price.”
Ethan, 20-years-old, becomes an apprentice jockey in a racing stable. He discovers a talent, a passion, and begins to dream of a better future. But places are hard to come by and competition is fierce. If he wants to stand out from the crowd, Ethan will have to take risks. A stunning first film that takes a very accurate look at a little-known world dominated by money.
Written by: Federica Scarpa
Guest
Julien MenanteauFilm
LadsFestival
Alice nella Città"Raccontiamo una specie di lockdown all'aperto, dove i ragazzi non hanno mai avuto contatti con la natura"
"Questa è una storia dalla dimensione universale. Tutti potremmo rimanere ossessionati da un'idea, diventando dei complottisti"
“Non vogliamo mai mandare messaggi”.
“La verità è che non si saprà mai quello che è successo".
“È più faticoso dire la verità, richiede sforzo e coraggio. Le persone scaltre dicono che le menzogne servono anche per non ferire. Spesso sì, ma a volte denuncia una mancanza di coraggio".
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La Legge di Lidia Poët 2, presentata in anteprima ad Alice nella città, ritrova la prima avvocata di Italia, in prima linea per i diritti delle donne
Come quando eravamo piccoli, presentato ad Alice nella Città, è il documentario autobiografico con cui l’attrice Camilla Filippi debutta alla regia
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