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ENGLISH Channel 01 If English is your language, or a language you understand, THIS IS YOUR CHANNEL !
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ITALIAN Channel 02 Se l’italiano è la tua lingua, o una lingua che conosci, QUESTO È IL TUO CANALE!
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EXTRA Channel 03 FRED Film Radio channel used to broadcast press conferences, seminars, workshops, master classes, etc.
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GERMAN Channel 04 Wenn Ihre Sprache Deutsch ist, oder Sie diese Sprache verstehen, dann ist das IHR KANAL !
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POLISH Channel 05
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SPANISH Channel 06 Si tu idioma es el español, o es un idioma que conoces, ¡ESTE ES TU CANAL!
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FRENCH Channel 07 Si votre langue maternelle est le français, ou si vous le comprenez, VOICI VOTRE CHAINE !
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PORTUGUESE Channel 08
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ROMANIAN Channel 09 Dacă vorbiţi sau înţelegeţi limba română, ACESTA ESTE CANALUL DUMNEAVOASTRĂ!
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SLOVENIAN Channel 10
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ENTERTAINMENT Channel 11 FRED Film Radio Channel used to broadcast music and live shows from Film Festivals.
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BULGARIAN Channel 16 Ако българският е вашият роден език, или го разбирате, ТОВА Е ВАШИЯТ КАНАЛ !
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CROATIAN Channel 17 Ako je hrvatski tvoj jezik, ili ga jednostavno razumiješ, OVO JE TVOJ KANAL!
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DUTCH Channel 21
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GREEK Channel 22
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CZECH Channel 23
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LITHUANIAN Channel 24
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SLOVAK Channel 25
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ICELANDIC Channel 26 Ef þú talar, eða skilur íslensku, er ÞETTA RÁSIN ÞÍN !
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INDUSTRY Channel 27 FRED Film Radio channel completely dedicated to industry professionals.
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EDUCATION Channel 28 FRED Film Radio channel completely dedicated to film literacy.
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SARDU Channel 29 Si su sardu est sa limba tua, custu est su canale chi ti deghet!
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“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
Bernhard Wenger‘s film “Peacock“, in competition at the Venice International Festival Critics’ Week, is an acidic, marauding comedy about appearing, adapting to please others, sacrificing one’s personality and losing oneself. The director talks with Fred Radio about it, form the inspiration to the meanings that he wanted to convey.
Bernhard Wegner was inspired for “Peacock” by an encounter with a man working for a friend-rental agency in Japan, who suffered a personality disorder as he could no longer recognise himself amidst the thousands of personas he had to take on for work. From this tragic personal story comes the fierce satire of the film.
The aesthetic choice for the film that Bernhard Wenger decided on, together with his d.o.p., was that of hyper-realism and cold perfection, which the protagonist always carries within himself (so much so that he is inept and passive in his private life) and which he transports into the fictitious lives of his characters, so much that defines him forever.
Matthias is a master of his profession. Do you need a ‘cultured boyfriend’ to impress your friends? A ‘perfect son’ to influence your business partners’ opinion of you? Or maybe just a sparring partner to rehearse an argument? Whatever it is, just rent Matthias! While he excels at pretending to be someone else every day, just being himself is the real challenge.
“Don’t Cry Butterfly” captures the intricacies of love and betrayal with a blend of horror and comedy. Discover how Dương Diệu Linh presents the emotional depth of her characters in this engaging narrative.
Michael Premo chose a hard task: depicting in his documentary "Homegrown" the lives and motivations of three American nationalists, Trump supporters, preparing for the assault to the Capitol: Americans at war with each other. Being a black man the challenge …
British director Moin Hussain of "Sky Peals" on exploring identity, loneliness and the human desire for connection through his sci-fi-inflected, service station-set feature debut.
An exclusive interview with the director Julia Fuhr Mann. The question proudly raised in "Life is Not A Game, But I Am Winning" is: If victory is written by victors, where does that leave those who were never allowed to …
The Spanish star, Marisa Paredes, muse of Pedro Almodóvar, passed away on December 17, 2024, at the age of 78
Chiara Mastroianni: The Protagonist of a Retrospective Honoring Her Father’s Legacy and Her Own Acclaimed Work. MoMA and Cinecittà Present:"Marcello and Chiara Mastroianni, A Family Affair"
Final Cut in Venice has been a crucial initiative since 2013, facilitating the completion of films from African nations and five Middle Eastern countries, including Iraq, Jordan, Lebanon, Palestine, and Syria. This year's program offers filmmakers a unique opportunity to …
Nosferatu marks the third collaboration between director Robert Eggers and actor Willem Dafoe
