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“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
Director of successful documentaries, Asif Kapadia arrives at the Venice Film Festival out of competition with “2073“, a hybrid documentary of denunciation and awareness of the state of the planet, both politically, climatically and socially. With a fictional part set in 2073, after an unspecified catastrophic event, which provides narrative support for the themes that the archive images develop.
Asif Kapadia has a background in drama, so even when he creates documentaries he does not start with images or just a theme, but starts with a character around whom he builds the narrative. Hence the choice of the fictional part that is the core, almost the authorisation to talk about the film’s major themes.
How can people be so stupid? Or how have they been tricked into believing that a choice like that was right? What are the means that power uses to distract, confuse and deceive? And it happens all over the world, in India as in Brazil. This was the seed from which ‘2073’ was born.
Kapadia’s genre-bending documentary set in the future tackles the biggest challenges endangering our present. 2073 is a “true sci-fi” horror. A warning of the world we will get if we don’t act now. Ghost lives off-grid in a dystopian New San Francisco in the year 2073. The world is controlled by Libertarians, Dictators and Tech Bros. There is no dissent, no freedom. Everyone is monitored, people disappear and the net is closing on Ghost. Through a genre-busting mix of archive and drama Ghost witnesses the terrifying threats facing us: a Democratic recession, the rise of neo-fascism, the Climate Disaster and the intrusion of surveillance technology. This is not science fiction. This is happening now.
Interview with Thomas Vinterberg, showrunner of "Families like ours", and actress Amaryllis August. They talk about this series being her first part in front of a camera
Beetlejuice Beetlejuice, the opening film of Venezia 81, marks the reunion between visionary director Tim Burton and star Michael Keaton
“Pooja, Sir” tells stories of discrimination in Nepal. Discover how cinema can promote empathy and understanding across communities.
Beetlejuice Beetlejuice, sequel to the 1988 iconic film by Tim Burton welcomes new characters portrayed by Monica Bellucci and Willem Dafoe.
Michel Franco about "Dreams" : 'When the father says "It’s okay to help immigrants, but there are limits," that’s the biggest question in the film: can people [from different contexts] truly see each other as equals?'
"Future Future" director Davi Pretto: 'The apocalypse is not what Hollywood says it is, a huge bang. That's not the apocalypse. The apocalypse is happening every day.'
'The screenplay of "They Come Out of Margo"', says director Alexandros Voulgaris, 'started with another composer, then it became personal, and then it also became about female artists in the 70s and 80s.'
"Bidad" director Soheil Beiraghi: 'A lot is happening in Iran: there is life, their is beauty, and there is a happiness around, and we need to portray that.'
