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ENGLISH Channel 01 If English is your language, or a language you understand, THIS IS YOUR CHANNEL !
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ITALIAN Channel 02 Se l’italiano è la tua lingua, o una lingua che conosci, QUESTO È IL TUO CANALE!
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EXTRA Channel 03 FRED Film Radio channel used to broadcast press conferences, seminars, workshops, master classes, etc.
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GERMAN Channel 04 Wenn Ihre Sprache Deutsch ist, oder Sie diese Sprache verstehen, dann ist das IHR KANAL !
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POLISH Channel 05
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SPANISH Channel 06 Si tu idioma es el español, o es un idioma que conoces, ¡ESTE ES TU CANAL!
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FRENCH Channel 07 Si votre langue maternelle est le français, ou si vous le comprenez, VOICI VOTRE CHAINE !
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PORTUGUESE Channel 08
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ROMANIAN Channel 09 Dacă vorbiţi sau înţelegeţi limba română, ACESTA ESTE CANALUL DUMNEAVOASTRĂ!
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SLOVENIAN Channel 10
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ENTERTAINMENT Channel 11 FRED Film Radio Channel used to broadcast music and live shows from Film Festivals.
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BULGARIAN Channel 16 Ако българският е вашият роден език, или го разбирате, ТОВА Е ВАШИЯТ КАНАЛ !
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CROATIAN Channel 17 Ako je hrvatski tvoj jezik, ili ga jednostavno razumiješ, OVO JE TVOJ KANAL!
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LATVIAN Channel 18
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DANISH Channel 19
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HUNGARIAN Channel 20
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DUTCH Channel 21
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GREEK Channel 22
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CZECH Channel 23
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LITHUANIAN Channel 24
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SLOVAK Channel 25
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ICELANDIC Channel 26 Ef þú talar, eða skilur íslensku, er ÞETTA RÁSIN ÞÍN !
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INDUSTRY Channel 27 FRED Film Radio channel completely dedicated to industry professionals.
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EDUCATION Channel 28 FRED Film Radio channel completely dedicated to film literacy.
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SARDU Channel 29 Si su sardu est sa limba tua, custu est su canale chi ti deghet!
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“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
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"Visiting Hours", an interview with director Patricia Mazuy Bénédicte Prot
Two women cross paths in the waiting room of a prison where each has come to visit "their man". One is a wealthy bourgeois woman, the other, a mother of two children who has to work hard to put food on the table. The former, Alma (Isabelle Huppert) who lives much closer to the prison, offers the latter, Mina (Hafsia Herzi), a room in her large house. Is this a friendship, a romance, a pact? The film follows the unlikely pair, their dreams of female emancipation, and the reverberations of the gulf that separates them. Nothing is black-and-white here, nor half-hearted.
The formidable Isabelle Huppert talks about "Visiting Hours", her second film with French director Patricia Mazuy, where her character, a prisoner's wife, forms an unlikely pair with a woman in a similar situation except not at all, played by Hafsia …
Gints Zilbalodis discusses his film "Flow" at Cannes77: its visual storytelling, themes of fear and trust, and his evolution from "Away."
Julien Rejl sur la Quinzaine des Cinéastes : "[Une section] un petit peu à part, qui se veut décalée, qui ne se prend pas au sérieux, qui met le plaisir, l'humour et la fantaisie au centre de ses préoccupations".
"We live in a digital society that isolates us from each other and makes it difficult to create moments of solidarity. But community forms are possible"
Todd Haynes, acclaimed filmmaker behind hits like Carol and Far from Heaven, will lead the jury at the 75th Berlinale.
Self, a Pixar Sparkshort title by Searit Huluf, premiering at the Frame Future FF, is literally poetry turned into cinema
Discover “Bogancloch,” the docufilm by Ben Rivers that explores the intricate relationship between isolation and nature, inviting audiences to reflect on the human experience in a profound way.
In competition at the 24Frame Future Film Festival, Hugh Welchman with "The Peasants", a groundbreaking oil-painted animation capturing love, betrayal, and resilience in a Polish village.
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