Fred Film Radio presents an exclusive interview from the 26th edition of the Far East Film Festival in Udine. Today, I had the honor of sitting down with Chiu Fusheng, the producer behind the renowned film “Raise the red lantern“, alongside the esteemed director Zhang Yimou and chairman Arthur Chew. Our conversation delved into the significant contributions of Chinese cinema, television, and the rich cultural heritage of both Taiwan and China to the global stage.
Chiu Fusheng articulated his vision of merging the cultural roots of Taiwan, China, and Hong Kong, emphasizing the importance of understanding and unity among these regions. He shared insights into his journey of distributing films across borders, advocating for messages of compassion and empathy in storytelling.
Reflecting on the tumultuous historical backdrop of his career, spanning the Vietnam War, Taiwan’s Chiang Ching-kuo era, and China’s reform period, Chiu Fusheng underscored the role of filmmakers in shedding light on societal issues and advocating for peace. He spoke candidly about the collaborative process with acclaimed directors like Zhang Yimou and Johnnie To, prioritizing creative freedom and expression.
Our discussion also explored the evolving landscape of Chinese cinema on the global stage, highlighting the shift towards individualized collaborations and storytelling that resonates with diverse audiences worldwide. Chiu Fusheng expressed optimism about the future of Asian media, citing advancements in technology and the rise of independent platforms.
As our conversation drew to a close, we delved into the transformative power of international collaboration in shaping the future direction of Chinese cinema and media. Chiu Fusheng emphasized the importance of individual expression and the role of festivals like Far East in fostering cultural exchange and understanding.
In closing, I expressed gratitude to Chiu Fusheng for his invaluable insights and contributions to the film industry. His dedication to promoting cross-cultural dialogue and understanding serves as a beacon of hope in an increasingly interconnected world.
Plot
Raise the Red Lantern opens with 19-year-old Songlian (Gong Li) staring morosely into the camera as she consents to marry a rich man. “Let me be a concubine,” she says. “Isn’t that a woman’s fate?” Told in a single remarkable shot, the scene features one implacable facial expression from Gong Li that’s interrupted only by dialogue and finally two silent teardrops. Already we know so much about this defiant yet compromised character through one shot, as she contradicts her own personal convictions by agreeing to be caged.
Traveling to the family compound of her new husband Master Chen (Ma Jingwu), she arrives on foot, opting not to be taken by sedan. She’s self-reliant and self-possessed, and yet her pride is not reserved only for punching up at oppressors. She takes offense at her standoffish personal maid Yan’er (Kong Lin), and immediately condescends to her. She also sizes up Master Chen’s three other wives and quickly judges that former opera singer Meishan (He Saifei) is her main antagonist. She turns out to be wrong, but that’s just one portion of the unfolding household drama.