Amjad Al Rasheed – Inshallah A Boy #Cannes2023
A Jordanian widow finds out just how powerless she is without a man, or a boy.
Listeners:
Top listeners:
ENGLISH Channel 01 If English is your language, or a language you understand, THIS IS YOUR CHANNEL !
ITALIAN Channel 02 Se l’italiano è la tua lingua, o una lingua che conosci, QUESTO È IL TUO CANALE!
EXTRA Channel 03 FRED Film Radio channel used to broadcast press conferences, seminars, workshops, master classes, etc.
GERMAN Channel 04 Wenn Ihre Sprache Deutsch ist, oder Sie diese Sprache verstehen, dann ist das IHR KANAL !
POLISH Channel 05
SPANISH Channel 06 Si tu idioma es el español, o es un idioma que conoces, ¡ESTE ES TU CANAL!
FRENCH Channel 07 Si votre langue maternelle est le français, ou si vous le comprenez, VOICI VOTRE CHAINE !
PORTUGUESE Channel 08
ROMANIAN Channel 09 Dacă vorbiţi sau înţelegeţi limba română, ACESTA ESTE CANALUL DUMNEAVOASTRĂ!
SLOVENIAN Channel 10
ENTERTAINMENT Channel 11 FRED Film Radio Channel used to broadcast music and live shows from Film Festivals.
BULGARIAN Channel 16 Ако българският е вашият роден език, или го разбирате, ТОВА Е ВАШИЯТ КАНАЛ !
CROATIAN Channel 17 Ako je hrvatski tvoj jezik, ili ga jednostavno razumiješ, OVO JE TVOJ KANAL!
LATVIAN Channel 18
DANISH Channel 19
HUNGARIAN Channel 20
DUTCH Channel 21
GREEK Channel 22
CZECH Channel 23
LITHUANIAN Channel 24
SLOVAK Channel 25
ICELANDIC Channel 26 Ef þú talar, eða skilur íslensku, er ÞETTA RÁSIN ÞÍN !
INDUSTRY Channel 27 FRED Film Radio channel completely dedicated to industry professionals.
EDUCATION Channel 28 FRED Film Radio channel completely dedicated to film literacy.
SARDU Channel 29 Si su sardu est sa limba tua, custu est su canale chi ti deghet!
“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
PODCAST| Bénédicte Prot interviews Wolfgang Fisher, director of the film Styx.
A lovely and captivating talk with the author of one of the most important and significant films of the year, despite its minimalistic apparatus. Wolfgang Fisher explains that the core idea of the project, nine years ago, was always to reflect upon how we Europeans would respond to an environment so archaic and hostile, doubled with a situation so overwhelming as the one his main character is faced with, a character whose thoughts and dilemmas the viewer is forced to stay with throughout the whole film. He underlines that in order to deal with that theme, it was important to actually confront the ocean and fake nothing, despite the challenge that was a 42-day shoot on a 11-meter boat out a sea, and points out what the role of Rike entailed in this nearly dialogue-less, yet so incredibly telling feature. The Austrian director also says that as his film is about how help functions in Europe and as, contrary Rike who is completely alone, we have ways of standing together, he really values the opportunity offered by the LUX Prize to show his film at the European Parliament, where decisions are made, and thus be able to trigger dialogue not by presenting data, but through the powerful emotions fiction is able to convey. The interview ends on his telling us more about the incredibly graceful opening scene, so dreamy yet completely true to facts.
Styx: As Rike (Susanne Wolff), a German first-aid doctor, sails away to the paradisiac, tropical destinations she has been dreaming about, out in the shimmering blue, her path crosses that of a boat of migrants in distress on that majestic inferno that is the ocean, but her compulsion to rescue is met with striking reluctance on the part of the responder speaking on the other side of her radio, placing her, while human beings are dying before her very eyes, in a situation of disarray and helplessness with unbearable moral implications which reflects the apotheosis of inhumanity that is the utter indifference of our world towards the tragedies of the other half.
Written by: fredfilmradio
Bénédicte Prot La Roche-sur-Yon Styx Wolfgang Fisher
Film
StyxFestival
Festival de La Roche-sur-YonA Jordanian widow finds out just how powerless she is without a man, or a boy.
Un film sur la mémoire des temps passés et sur la nécessité de ne pas oublier l'histoire.
Una Terapia di Gruppo, al cinema dal 21 Novembre, racconta con la commedia, le ossessioni del nostro tempo
Todd Haynes, acclaimed filmmaker behind hits like Carol and Far from Heaven, will lead the jury at the 75th Berlinale.
Self, a Pixar Sparkshort title by Searit Huluf, premiering at the Frame Future FF, is literally poetry turned into cinema
Discover “Bogancloch,” the docufilm by Ben Rivers that explores the intricate relationship between isolation and nature, inviting audiences to reflect on the human experience in a profound way.
© 2023 Emerald Clear Ltd - all rights reserved.